LIST OF ARTS AND CULTURE
Entire list of cultural arts includes all categories and states
Search Filters : 431
GENDANG PAHANG
<p>Gendang Pahang is traditional musical arts influenced by Islamic music. Gendang is a Malay word for drum, a type of musical instrument made of wood. The drum is struck with a round-shaped end stick. The drummers are known as pemukul gendang (the ones who beat the drums). So important the drummer is, a royal drummer is given a special title named Kulup Raja. </p><p><br></p><p>Gendang Pahang was introduced after the outbreak of civil war in Chenor, Pahang in 1857. Later, it began to gain popularity in several areas such as Jerantut, Kuala Lipis, Pekan, Chenor and Temerloh, whereas in other areas, it unfortunately became extinct. In certain regions, the preference for home-grown rhythms more than those from other places retains the local tunes for generations, thus preserving it.</p><p><br></p><p>This music is believed to have been introduced by Dato' Purba Jelai and continued by his three generations, paving the way to be enjoyed in other areas.</p><p><br></p><p>Played by men and women, it generally begins with opening beats that flow into the common beats and ends with the end (‘kill’) beats. Meanwhile there are also other beats. It also has its own special song known as Bujang Hilir. The other popular songs often played are the Samaderas, Kambing Berlaga, Lenggang Janda, Bujang Hilir and Raja Berangkat. The Gendang Pahang is played at weddings and palace events. It is also performed to accompany the silat performances and Inai dances. </p><div><br></div> ...
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ADAT RESAM DAN BUDAYA MASYARAKAT INDIA: MENGANDUNG.
<p>Malaysian Indians are Malaysian citizens of Indian descent. A large number migrated to Malaysia during the British colonial era in Malaya. However, historical evidence shows that Indians have begun to settle in Malaysia since the heyday of the Chola Dynasty. Nowadays, they are the third largest race in Malaysia after the Malays and Chinese. In addition, they also have their own customs and culture, such as the custom of pregnant women waiting until the birth of a child.</p><div><br></div> ...
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TARIAN BAKANJAR
<p>Bakanjar is a traditional dance from the Dusun Tatana tribe in the Kuala Penyu, Sabah. This dance reflects the art of self-defence and bravery, making it a form of war dance in the Tatana culture. It is performed exclusively by men, showcasing dynamic and symbolic movements, and is often presented at various events, especially during wedding ceremonies. In addition to symbolising the spirit of heroism, Bakanjar also serves as a tribute to the traditions and heritage of the Tatana ancestors, inspiring the annual Odou Bakanjar Festival, celebrated by the Dusun Tatana community in the Kuala Penyu district.</p> ...
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- 1813
PUISI REJANG
<p>The Rejang Poetry of Melaka refers to a traditional poetic style that evolved within the Baba Nyonya or Peranakan community in Melaka, Malaysia. This form of poetry is an integral part of oral traditions used during celebrations, weddings, and ceremonial events within the Peranakan community, blending cultural influences from Chinese and Malay heritage. Rejang Poetry holds high aesthetic value and is often utilized to express emotions, folk tales, or serve as a medium for communication in daily life.</p><p><br></p><p>Origin and History of Rejang Poetry in Melaka</p><p>Rejang Poetry in Melaka emerged as a result of the fusion between Chinese, Malay, and Indian cultures, leading to the development of Peranakan or Baba Nyonya culture. The Baba Nyonya community in Melaka is known for its traditions that emphasize rituals, art, and a language that combines elements of both cultures. Within this context, Rejang Poetry was frequently used in cultural celebrations such as weddings and religious ceremonies to convey respect, prayers, emotions, and aspirations.</p><p><br></p><p>This poetry style evolved in the form of syair or pantun, used by the Peranakan community to reflect their lives, including in ceremonial rituals, wedding festivities, family gatherings, or to express emotions and relationships within their society.</p><div><br></div> ...
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- 1420
MENGARANG INDAI ABAU
<p>Mengarang Indai Abau, also known as Indai Guruk, is a traditional dance of the Iban ethnic group. This dance is typically performed in longhouses, presented in the form of storytelling through oral narration.</p> ...
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ULAT MULONG
<p>The Ulat Mulong or Sago Worm is a larva that inhabits the trunk of the sago palm tree, using the pith as its food source. The felled sago trunk is stored and left untouched for approximately two weeks to allow the larvae to grow, becoming healthy and active. When the time comes, the sago trunk is split open to extract the worms. These worms can be eaten raw, but they can also be roasted or fried.</p> ...
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- 1970
TEATER TRADISIONAL BANGSAWAN (WPKL)
<p>Since Bangsawan was established in Malaysia in the 1880s, theater activities began. It later became very popular and monopolized theater activities in Malaysia for over 70 years. Bangsawan started in Penang and then expanded throughout Malaysia to Indonesia. Bangsawan theater was influenced by the performance of the Wayang Parsi or Mendu, which acted out stories using Hindi and were acted by male and female actors brought from India at that time.</p><p><br></p><p>In the 1870s, a drama troupe from India, known as the "Persian Theater Troupe" or "Mendu," came to Penang to perform their plays. This troupe consists of male and female actors who are good at singing, acting, and dancing. The Bangsawan Theater reached its popularity around the end of the 1890s, with its peak beginning in 1911.</p><p><br></p><p>However, this theater suffered a decline in the early 1940s during the Japanese colonization of Malaya and began to lose popularity in the 1950s. After that, some small groups still staged Bangsawan in small events by invitation, but this did not last long. In the 1990s, with the existence of the National Theater and Istana Budaya, Bangsawan Theater began to be reproduced by these two agencies to preserve the country's cultural arts.</p><p><br></p><p>Bangsawa is again active in efforts to preserve the traditional theater, where performances are becoming more consistent under the support of the government. The National Department of Culture and Arts (JKKN) and Kuala Lumpur City Hall (DBKL) work together through the Semarak Bangsawan program, which started in 2007 and continues until now.</p><div><br></div> ...
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ADAT RESAM DAN BUDAYA KAUM IBAN: ADAT MENDIRIKAN RUMAH LAMIN
<p>Rumah Lamin, also known as the Longhouse, is built in a rectangular shape with a length of up to 300 meters and a width of up to 25 meters. This longhouse is constructed facing a nearby river. It consists of multiple connected houses, each owned by a different family. The interior of each unit is divided into two main sections: a private area providing space for sleeping and a kitchen, and an open area with a ruai or veranda. Each family’s unit is separated by walls, establishing personal space and social boundaries for each family occupying the unit. Additionally, a main door is located at the front of the house, allowing easy access to the private areas within. Surrounding the longhouse are large statues made of wood, which are specially crafted by the Iban for ritual offerings to their ancestors.</p> ...
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ADAT RESAM DAN BUDAYA MASYARAKAT MAH MERI KELAHIRAN: SEMASA MENGANDUNG
<p>The Mah Meri tribe, one of the Orang Asli groups in Malaysia, has rich and unique customs in every aspect of their lives, including birth ceremonies and baby naming. The naming process in the Mah Meri culture involves important customs that aim to safeguard the baby's well-being and protect it from the interference of evil spirits.</p><p><br></p><p>Since there are various tribes in the Mah Meri community, there are many differences in terms of way of life and language. Their culture and customs are also different and unique. The following customs show what is practiced among the Mah Meri community as a whole.</p><div><br></div> ...
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ADAT RESAM DAN BUDAYA KAUM BAJAU KOTA BELUD: ADAT PERKAHWINAN
<p>The Bajau ethnic group in Sabah is divided into two clusters, namely the Bajau Laut cluster from the East Coast of Sabah covering the districts of Semporna, Kunak, Lahad Datu and Sandakan Meanwhile, the Bajau Sama cluster occupies the West Coast of Sabah covering the districts of Kota Belud, Tuaran, Papar, Petagas, Putatan and Tanjung Aru. These two Bajau ethnic groups are Muslim and rich in traditional practices and heritage. Even so, in marriage customs, these two clusters have different and complex structures according to their cultural practices that are passed down from generation to generation. In the context of the Bajau community of Kota Belud, this marriage custom is still firmly practiced until now as a symbol of cultural identity by displaying the values of decency, respect, and family spirit that are the backbone of their social life (Muhd Hadhari Atong, 2024).</p> ...
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NGAJAT PUA KUMBU
<p>Ngajat Pua Kumbu is recognized as part of the repertoire of ngajat, the traditional dance of the Iban ethnic group, which incorporates pua kumbu, the Iban community's traditional textile, as a medium of storytelling and a symbol of cultural heritage through the attire known as Ngepan Iban.</p> ...
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LAKSA KEDAH
<p>Laksa Kedah is also known as Laksa Teluk Kechai. This traditional dish is often served during festive seasons. Laksa Kedah is one of the most famous traditional dishes in the state of Kedah, reflecting the richness of Malay flavors and culinary traditions. This dish consists of thick and chewy noodles, usually served with a rich fish-based gravy made from fish such as mackerel or tuna, cooked with special spices like lemongrass, galangal, and ginger. The distinctive feature of Laksa Kedah lies in its gravy, which is spicier and more tangy compared to other variations of laksa from different states in Malaysia, primarily due to the use of tamarind, which gives it a refreshing acidity.</p> ...
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