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TEATER TRADISONAL MENORA DI KELANTAN

Menora is a cultural heritage art originating from the Narathiwat province, Southern Thailand, and has long been a part of Kelantan culture. This art, also known as “Manora” in Thai, is a type of folk dance theatre that combines elements of ritual, dance movements, instrumental music, singing, and storytelling. Although originating from Thailand, Menora is now also performed in Kelantan and several other areas in Peninsular Malaysia, making it a unique cross-border cultural symbol. ...

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PERSEMBAHAN BORIA

<p>Boria is a heritage theater of Pulau Pinang.&nbsp; It is associated with the history and events of Karbala, the killing of Saidina Hassan and Saidina Hussein by the soldiers of Caliph Muawiyah bin Abi Suffian, in Saudi Arabia, around 1340 years ago.&nbsp;</p><p><br></p><p>Some sources also state that boria was brought by Muslim Indians to Pulau Pinang, Malaya, around the 19th century.&nbsp; As Syi’ah followers hold annual ceremony on 10th of Muharram commemorating the Karbala event, these Muslim traders then performed the boria to celebrate it.&nbsp; Performing, they painted their faces, wore masks and sack clothes known as Boria Kuli Kalin.&nbsp; This act was only watched by the locals, especially the Malays.</p><p><br></p><p>The word boria is also thought to have been derived from 'borai', a Hindustani word for ‘crazy’. Another, boria can also mean ‘a mat’ because it is associated with Indian sepoi (soldiers) brought in by the British, who executed the boria on mats.&nbsp; While their clothes were also made of mats to depict the misery of Saidina Hassan and Hussein R.A in Karbala. There are also opinions that the word is borrowed from the Gujaratis who came to trade and settle in Penang, the word 'bori'. Fourthly, some think that boria comes from the word 'ria' which means rejoicing.&nbsp;</p><p><br></p><p>But most of these origin versions are of oral sources, not written, so none of them are certain.</p><div><br></div> ...

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GULAI IKAN PATIN TEMPOYAK

<p>Gulai Ikan Patin Tempoyak has made Temerloh a must-visit food destination.&nbsp; Patin is a type of fresh water or river fish, found in Temerloh and the Pahang River, that the areas are acclaimed for the patin cuisine. This fish is cooked specially with tempoyak, the fermented durian that brings about the distinct taste of the gulai, a favourite of many.&nbsp; Although called 'gulai', it does not use coconut milk. Other fish suitable for this cooking are baung and jelawat fish (freshwater fish).&nbsp;</p><p><br></p><p>The patin found in Pahang is renowned for its delicious soft flesh and (fish) oil, believed to be due to the Pahang River environment.&nbsp; &nbsp;</p><p><br></p><p><br></p><p><br></p><p>Tempoyak is fermented durian, usually from the old fruits’ pulps (generally in almost or already sour state).&nbsp; &nbsp;The pulps are separated from the seeds, mixed with a little salt, then fermented for three to five days at room temperature. Some will ferment it for a year.&nbsp; Tempoyak is not eaten on its own but made into paste or ingredient of dishes such as gulai ikan patin tempoyak.&nbsp;&nbsp;</p><p><br></p><p><br></p><p>Gulai tempoyak ikan patin is also identified in Raub, Kuala Lipis and Jerantut. It can be said that every restaurant in these districts will serve this gulai delicacy to draw customers.&nbsp;</p><p><br></p><p>This cuisine is eaten with white rice, side dishes and various sambals (dips).&nbsp; Its taste is distinct due to the sour durian paste (the tempoyak) in it.&nbsp;&nbsp;</p><p><br></p><p><br></p><p>Ikan patin is found in the Pahang River, the longest river in Peninsular Malaysia.&nbsp; It meanders about 440 to 459 kilometers, crossing towns the Jerantut, Temerloh, Maran, Bera, Pekan and Chini towns, and finally flows to the South China Sea.</p><p><br></p><p>For the unversed, there are many types of freshwater fish in Sungai Pahang.&nbsp; They are the:&nbsp;</p><p>•<span style="white-space:pre"> </span>patin (patin buah, patin sungai, patin sangkar, patin muncung, patin ekor merah),&nbsp;</p><p>•<span style="white-space:pre"> </span>kelah,&nbsp;</p><p>•<span style="white-space:pre"> </span>arowana,&nbsp;</p><p>•<span style="white-space:pre"> </span>lampam jawa,&nbsp;</p><p>•<span style="white-space:pre"> </span>kelah merah,&nbsp;</p><p>•<span style="white-space:pre"> </span>temeloh,&nbsp;</p><p>•<span style="white-space:pre"> </span>aruan,&nbsp;</p><p>•<span style="white-space:pre"> </span>belida,&nbsp;</p><p>•<span style="white-space:pre"> </span>tamalian/ temoleh,&nbsp;</p><p>•<span style="white-space:pre"> </span>baung,&nbsp;</p><p>•<span style="white-space:pre"> </span>kederak,&nbsp;</p><p>•<span style="white-space:pre"> </span>sebarau,&nbsp;</p><p>•<span style="white-space:pre"> </span>kerai,&nbsp;</p><p>•<span style="white-space:pre"> </span>tenglangan,&nbsp;</p><p>•<span style="white-space:pre"> </span>bujuk,&nbsp;</p><p>•<span style="white-space:pre"> </span>toman,&nbsp;</p><p>•<span style="white-space:pre"> </span>ketutu,&nbsp;</p><p>•<span style="white-space:pre"> </span>puyu,&nbsp;</p><p>•<span style="white-space:pre"> </span>buntal,&nbsp;</p><p>•<span style="white-space:pre"> </span>keli, and</p><p>•<span style="white-space:pre"> </span>limbat.&nbsp;&nbsp;</p><p><br></p><p>Patin flourish in the Pahang River. However, as times change, they began to be raised commercially in ponds or cages.&nbsp;</p><p><br></p><p>So popular, this fish has its own quality grade. The patin farmed in ponds are the easiest to obtain, thus the cheapest. The second grade is the ones reared in cages in the rivers of Temerloh, Pahang.&nbsp;</p><p><br></p><p><br></p><p><br></p><p><br></p><p>The third grade is patin buah, the prime species, found in certain muddy and stagnant parts of the river.&nbsp; They must be caught by fishing line or net and is expensive as it is increasingly difficult to obtain.&nbsp; The fourth type is patin muncung, the rarest, which can only be caught by nets.&nbsp; Thus it is the most expensive.&nbsp;&nbsp;</p><p><br></p><p><br></p><p><br></p><p><br></p><p>The shape of this fish is unique. Its body is long, slightly flat and without scales, with silvery white and bluish colours.&nbsp; The mouth is small.&nbsp; Equipped with two to four pairs of tentacles as tactile devices, they live at the bottom of the river and feed at night.&nbsp;</p><div><br></div> ...

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NGAJAT NGALU TEMUAI

<p>Ngajat Ngalu Temuai translates to the "Guest Welcoming Dance," performed by both male and female dancers from the Iban ethnic group. Specifically, this dance is held to warmly welcome guests, or temuai in the Iban language. It is commonly performed to invite and escort the tuai rumah (longhouse chief), along with dignitaries and honored guests, into the longhouse.</p><p><br></p><p>The movements in this dance are like those in Ngajat Indu, characterized by graceful and refined gestures. Typically, this dance is performed during ceremonial openings or inaugurations of official events and celebrations, particularly during the Gawai Festival.</p><div><br></div> ...

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TARIAN SAYAU BELANDAIH

<p>Sayau Belandaih is one of the traditional dances of the Kadazan-Dusun ethnic community, specifically from the Dusun Tatana sub-ethnic group. This dance is practiced in several villages, including Kayul, Gorowot, Menunggang, and Melampai, within the Kuala Penyu district.</p> ...

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JOGET CAK KUN CAK

<p>Joget Cak Kun Cak is a traditional Malaysian dance that developed as a result of Malay cultural influences combined with external elements, such as Javanese and Portuguese performing arts. This dance falls under the genre of Joget, one of the most popular traditional dances in Malaysia, often performed during celebrations and festive occasions.</p><p><br></p><p>The history and origins of Joget Cak Kun Cak are believed to stem from variations of traditional Malay Joget dances that evolved during the colonial period. This dance was significantly influenced by Portuguese dance elements, such as Branyo, introduced by Portuguese traders and sailors in Melaka in the 16th century.</p><p><br></p><p>Joget Cak Kun Cak is named after the sounds produced by its accompanying music, particularly the percussion instruments that mimic the sounds "cak kun cak." This term also resembles the auditory patterns of traditional musical instruments, such as the rebana or gong, which are used to accompany the dance.</p><div><br></div> ...

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PERGENDANGAN DHOL

<p>Dhol, a traditional drumming music, is an important part of the Punjabis or Sikh culture in Malaysia. This traditional percussion artistry originated in Punjab of Pakistan, and Northern India: Himachal Pradesh, Haryana and Delhi.&nbsp; In Sikh religious practices, the dhol guides the mind of devotees seeking spiritual peace.&nbsp; In the arts, it is background music of the bhangra or giddha dances, weddings and new year celebrations.&nbsp; As times change, dhol drumming is now widely staged in Punjabi ceremonial occasions.</p><p><br></p><p>Initially, dhol drumming and bhangra dance were widely observed to celebrate harvesting season and Vaisakhi in April and May.&nbsp; But after the formation of Punjab in 1947, it was turned into a stage performance. Bhangra dancers follow the dhol beating and rhythm to dance.&nbsp; This tradition is now hugely appreciated and performed at every major festival in Northern India. Its songs are simple verses on harvest festivals, love, patriotism and family written in Punjabi, the boliyah,&nbsp;</p><p><br></p><p>Dhol drumming produces a lively and energic tune that almost immediately induces one to dance. A slightly smaller version of dhol, the dholki, is another option for the dance.&nbsp; &nbsp; &nbsp;</p> ...

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KOMPANG PERAK

<p>The Kompang is a percussion instrument categorized as a membranophone, specifically a single-headed drum. It is believed to have originated from the Middle East, as evidenced by the Arabic lyrics often sung during its performance, which serve to deliver praises and salutations to the Prophet Muhammad (PBUH).</p><div><br></div><div><div>The history of the Kompang in the Malay Peninsula is believed to date back to the 14th century during the Malacca Sultanate era. It was introduced by Indian Muslim traders as a form of entertainment and a signal marking the arrival of their ships in the Straits of Malacca. The Kompang was then performed as a gift and a special presentation to the Sultan, symbolizing their presence in Malacca at the time. Another historical account suggests that Kompang music was brought by communities from Java who sailed to Johor in the 13th century. From there, it spread throughout the Malay Archipelago, including Perak, where it became a performance art presented to the Sultan. Over time, the Kompang tradition was taught to palace officials and eventually introduced to the general public.</div><div>In the state of Perak, Kompang performances play a vital role as part of the state's intangible cultural heritage. It is actively performed at events such as weddings, processions, and religious ceremonies. The instrument holds particular significance in districts such as Kuala Kangsar and Bagan Datoh, where many Kompang players come from, having inherited the tradition from their ancestors.</div><div>Efforts to preserve Kompang performances in Perak remain robust, driven by cultural associations and educational institutions committed to keeping this traditional art form relevant in the face of modernization. Recognized as intangible heritage under the National Heritage Act (2005), Perak's Kompang serves as a living testament to the richness of Malay tradition and artistic heritage that continues to be celebrated in the state.</div></div><div><br></div> ...

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NAZAM

<p>Nazam is a Malay poetry adapted from Arabic verse composition. It emerged in Malaya around the 12th century as Islam began to reach the shores of the Malay Peninsula (Abdul Latif, 2013). By the 15th century it was introduced in Malacca and by the 20th century, broadly won the hearts of her locals.&nbsp;</p><p><br></p><p>Nazam is an Arabic word carries the notion of ‘poetic composition’. According to At-tullab Arabic-Malay Dictionary (1994), nazam means ‘to plan, compose, organize and arrange’. Thus it can be said that nazam means poetry and bernazam carries the meaning of singing.&nbsp;</p><p><br></p><p>Nazam songs are divided into two versions, the Serkam and Tanjung. The songs were beginning to be sung in Terengganu, Pahang, Negeri Sembilan. The nazam performed in Malacca is called Nazam Asli which is based on Islamic teachings.&nbsp; While another, the Creative Nazam, is concerning current events or stories, sung with a drumming background, which is importantly not prohibited by Islamic teachings or Malay culture (Abdul Latif, 2013).&nbsp; Lastly, nazam is performed by men and women.</p><p><br></p><p>The Lyirik of Nazam</p><p><br></p><p>Pillars of Islam Nazam<span style="white-space:pre"> </span></p><p>Allah Allah Azzawajal our Lord&nbsp;</p><p>We ask for forgiveness of our sins&nbsp;</p><p>Protect our journey&nbsp;</p><p>I surrender to You, Ya Allah</p><p><br></p><p>Islam’s core is the five pillars</p><p>The shahada is the first core of faith&nbsp;</p><p>The second, prayer is the pillar of religion&nbsp;</p><p>The third, fasting in the main month of Ramadan (Repeat)&nbsp;</p><p><br></p><p>The fourth, extending the zakat when it’s due</p><p>Thus one should not be neglecting&nbsp;</p><p><br></p><p>The fifth, performing the hajj at the House of God</p><p>If one is able, it is obligatory.</p><div><br></div> ...

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KUIH PENCUCI MULUT TRADISI WADAI KIPENG

<p>Wadai Kipeng is a traditional snack of the Johore Banjar. Wadai means cake while kipeng means something pressed (like a piece of cookie). It is oftentimes served in thanksgiving ceremonies or a prayer feast.</p><p><br></p><p>To make it, one requires glutinous rice flour, salt and water.&nbsp; While the sauce ingredients are coconut milk, water, white sugar, brown sugar and salt.</p><div><br></div> ...

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KANJET

<p>In the Kenyah language, which is one of the Orang Ulu ethnic groups in Sarawak, Kanjet means dance. Thus, Kanjet is a dance closely associated with the Kenyah community. Besides Kanjet, this dance is also referred to as Tuut, Saga Ngarang, or Nyivan in the Kayan-Kenyah language. In short, all these terms refer to the same meaning, which is dance or dancing.</p><p><br></p><p>Kanjet can be performed for various purposes and occasions, including ritual ceremonies, welcoming events, or simply as entertainment. This dance features graceful movements that showcase elegance and harmonious qualities, as well as being poised and unique. Its movements are characterized by balance and beauty, especially in expressing heroism and harmony in the daily life of the ethnic group.</p><p><br></p><p>Kanjet was born and developed through the cultural history of the Orang Ulu community, which practiced headhunting or mengayau. This dance is also strongly influenced by natural phenomena, beliefs in dreams, and elements of traditional belief systems. For instance, ceremonies held before and after mengayau have given rise to dance movements depicting the agility and dexterity of warriors during the act of headhunting. As a result, male dancers often display agility, vigor, and bravery during the performance, while female dancers emphasize gracefulness and delicacy in their movements.</p> ...

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