CULTURAL MAPPING PORTAL

1399B, Gong Penaga, Pasir Panjang,21100 Kuala T...

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LAGU RAKYAT

Lagu Rakyat is a genre of traditional and contemporary folk songs music.  The 20th century saw the rise of lagu rakyat in Terengganu, Malaysia, especially so in her capital city Kuala Terengganu. These traditional songs are the people symbol, oral traditions through poetry and rhymes, narrating stories and life, turning back the hands of time at times.  Among the definitions of traditional folk songs are music, which:• spreads orally, • has no known composers, • is played by traditional instruments, • is about cultural or national identity, • changes between generations, • associates with people, folklore, or • is performed due to tradition and custom over a long duration.  These definitions differentiate it from the commercial or classical music. Popular Lagu Rakyat Terengganu are:- Dendang Nasihat- Tikor Seludang;- Chak Chilik- Embun Soksek- Kolek Berkolek- Itik Gembo Gembo- Manis Berladung- Wa Timang Landok- Anok Udang- Zapin Darul Iman- Joget Teganu Kite- Joget Guane Gamok Orang Kiter- Ngambak Ikan- Peel Orang Ganu- Sapa Situ Seme- Musim Booh- Dunia Lening- Si Burung Murai; etc.  In the past, lagu rakyat Terengganu were sung with the beats of drums, tambourines, or rhythmic hand claps as background. And for generations, their educate the young about culture and values.  In the old days, the folk-songs singers were called penglipur lara.  They brought merriment and fun, drawing the community together in happy moments at weddings and important celebrations.<div> </div> ...

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No 26, Jalan Ros, Felda Bukit Batu, 81020, Kula...

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TARIAN INANG GHENEK

The Inang Ghenek dance evolved from the Mak Inang Kesot dance, performed by crouching (ghenek) until both thighs nearly touch the floor. Inang Ghenek incorporates influences from Arab and Indian cultures, brought through trade connections between South Asia and Southeast Asia. Initially, this dance was predominantly a solo performance; however, over time, it evolved into a group dance performed by women.<div> </div> ...

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1263

Temple of Fine Arts 116, Jalan Berhala, Brickf...

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TARIAN KLASIK INDIA BHARATANATYAM (WPKL)

Bharatanatyam is an Indian classical dance from South India. Its techniques are based on the Natyashatra text, the official manual for drama, traditional music and dance in India. This text was written by Bharata Muni over 2500 years ago. An adage goes that practice makes perfect, and especially it has to be danced solo and energetically, a bharatanatyam dance learner has to practise long and hard to perfect the meaningful moves. A bharatantyam dancer is, in a way, dancing to narrate a ‘story’ emphatically.  There are two main components of Bharatantyam: nritta and nritya. Nritta is the abstract steps of the dancer’s agility and ability at dancing.  Whereas nritya is the ’storyline’, conveyed through the dancer’s expressive and silent moves (abhinayam) of hand, eye, head, neck and body movements following the musical tunes. While the message of the dance is narrated through songs, sung by a woman.  In more detail, abhinaya, the expressions shown by the dancer, are mukhabinaya (facial expression), hastabhinaya (hand expression; mudra), netrabhinaya (eye expression) and angikabhinaya (overall body movement).  The moves are symmetrical, that is, when the dancer moves to the right, the same move is executed on the left. Bharatantyam dancers have a remarkable knack of moving their limbs separately. At some point, executed with great flair, they move their head or eyes while other body parts remain motionless.<div> </div> ...

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3304

Kumpulan Kesenian Kampung Padang Changkat, No. ...

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GAMBUS PADANG CHANGKAT DANCE

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1347

Kompleks Pustaka Warisan Negeri, Lot. No. 2180,...

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CHAR KUETIAU

Char Kuetiau (also spelled kway teow), chao guotiao (Mandarin dialect), or chau gwai diu (Cantonese dialect) means stir-fried flat noodles. Kuetiau noodles are made from a type of noodle called kuetiau, which is white, soft, flat, and about one centimeter wide. They are stir-fried over high heat with soy sauce, chili, prawns, cockles, eggs, bean sprouts, and Chinese chives.Sometimes, slices of Chinese sausage, fish cakes, or other ingredients are added according to local tastes. There are various versions of this dish, including adding duck eggs to enhance the flavor or crab meat to increase the sweetness of the dish.<div> </div><div> </div><div><div>According to stories from the past, when this dish was created, its main target was laborers. Its high fat content and low cost made it popular among workers as a source of energy and nutrients to sustain them through physically demanding tasks each day. At that time, the dish was often sold by fishermen, farmers, and cockle gatherers in the evenings to supplement their income.</div><div>This dish is also believed to have become popular in Malaysia following the immigration of Chinese ethnic groups in the early 19th and 20th centuries.</div></div><div> </div> ...

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TARIAN KUDA PASU

Kuda Pasu, also known as Kuda Pacu, is a traditional dance popular among the Bajau Samah ethnic community in Kota Belud. Translating to "racing horse," this dance was first introduced in 1975 by Jeffery bin Oleh, a prominent figure in the traditional performing arts of the Bajau Samah community. To this day, Kuda Pasu continues to be performed at various celebrations and has been recognised as a traditional dance of this ethnic group. According to its historical origins, this dance was inspired by horse riders' skills to welcome royal family members. In traditional Bajau Samah weddings, horses were often used to transport the groom's entourage to the bride's home. This practice symbolised the groom's heroism and valour on his wedding day and represented strength and status within the community. Consequently, the movements of men riding and handling horses became the foundation for the creation of this dance. ...

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SHADOW PUPPET THEATRE DANCE

Wayang Kulit Purwo, also known as Wayang Kulit Jawa, is a form of traditional shadow puppet theatre originating from Java, Indonesia, and brought to Malaysia by Javanese migrant communities. This performance art uses intricately carved leather puppets to depict characters from Hindu epics such as the Mahabharata and Ramayana, as well as Panji stories.Believed to have originated in Java over 1,500 years BCE, Wayang Kulit Purwo was created by Javanese ancestors for ritualistic purposes. In Malaysia, it was introduced by Javanese communities migrating to states like Johor and Selangor. The performance retains many traditional Javanese elements, including the language and gamelan music.<div> </div> ...

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1361

C5, Rumah Pangsa Senawang Fasa 2, Taman Sri Maw...

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MUZIK CAKLEMPONG

Caklempong is folk music of the Minangkabau community. It was brought to Malaya by the Minangkabaus of the West Sumatra, Indonesia, who settled in Negeri Sembilan in the 14th century.  In the Minangkabau dialect, caklempong is taklempong, a traditional musical instrument from the idiophone family that uses a diatonic scale. 'Cak' is the sound of the drumbeats while 'lempong' is the sound of the bonang (gong) beats. In the past, caklempong was so important that apart from entertaining, it captured the audience so profoundly that they became united, benefitting the community at large.   To begin with, there were five caklempong tones: do, re, mi, so and la. However, in 1970, the caklempong was developed into six tones: do, re, mi, fa, so, la, ti, and do.<div> </div> ...

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TARIAN TIGAL PRANUK

Tigal Pranuk is a dance that mimics the movements and behaviours of an animal, specifically the mousedeer (kancil). This dance requires physical flexibility and expressive facial movements to portray the sounds, actions, and mannerisms of the animal. The behaviours of these mousedeer was observed by a group of villagers from Bukar’sadung, who happened to be in the area collecting firewood. Upon returning to their village, they began imitating the mousedeer's antics, which eventually evolved into the form of a dance.<div> </div> ...

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783

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SEWANG DANCE

The Sewang dance is one of the most well-known cultural traditions among the indigenous Orang Asli communities in Peninsular Malaysia, particularly the Mah Meri, Bateq, Semai, and Temiar tribes in Perak. Passed down through generations, this dance serves as a form of respect for nature and a ritualistic offering to supernatural beings. The performance of the Sewang dance varies according to the type of ritual being conducted. It encompasses several variations, including Sewang Chenchem, Gamok, Panoh, Penhei, Manjar, Pungei, Tanggei, Selombang, and many more.<div> </div> ...

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9279

Hamidahku Industry Sdn Bhd (864682-W) No 3537,...

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DODOL PENGANAN

The Dodol menu is a traditional dessert from Nusantara that is deeply rooted in the cultures of the Malay, Minangkabau, and Jawa communities. Known for its chewy texture and fatty sweetness, dodol is often served at weddings, Hari Raya, and other celebrations as a symbol of prosperity and joy. The preparation of dodol is usually done collaboratively and requires a stirring process that takes hours, reflecting the value of patience and cooperation in the community. Dodol is recognized as a cultural heritage that symbolizes the unity and identity of the Malay community and continues to be passed down from one generation to the next.<div> </div> ...

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1292

umpulan Sewang Ulu Geroh, Kampung Ulu Geroh Gop...

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KOMPANG (PERAK)

The Kompang is a percussion instrument categorized as a membranophone, specifically a single-headed drum. It is believed to have originated from the Middle East, as evidenced by the Arabic lyrics often sung during its performance, which serve to deliver praises and salutations to the Prophet Muhammad (PBUH).<div> </div><div><div>The history of the Kompang in the Malay Peninsula is believed to date back to the 14th century during the Malacca Sultanate era. It was introduced by Indian Muslim traders as a form of entertainment and a signal marking the arrival of their ships in the Straits of Malacca. The Kompang was then performed as a gift and a special presentation to the Sultan, symbolizing their presence in Malacca at the time. Another historical account suggests that Kompang music was brought by communities from Java who sailed to Johor in the 13th century. From there, it spread throughout the Malay Archipelago, including Perak, where it became a performance art presented to the Sultan. Over time, the Kompang tradition was taught to palace officials and eventually introduced to the general public.</div><div>In the state of Perak, Kompang performances play a vital role as part of the state's intangible cultural heritage. It is actively performed at events such as weddings, processions, and religious ceremonies. The instrument holds particular significance in districts such as Kuala Kangsar and Bagan Datoh, where many Kompang players come from, having inherited the tradition from their ancestors.</div><div>Efforts to preserve Kompang performances in Perak remain robust, driven by cultural associations and educational institutions committed to keeping this traditional art form relevant in the face of modernization. Recognized as intangible heritage under the National Heritage Act (2005), Perak's Kompang serves as a living testament to the richness of Malay tradition and artistic heritage that continues to be celebrated in the state.</div></div><div> </div> ...

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