CULTURAL MAPPING PORTAL

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ADAT RESAM DAN BUDAYA MASYARAKAT MAH MERI KELAHIRAN: MEMBERI NAMA

The Mah Meri tribe, one of the Orang Asli groups in Malaysia, has rich and unique customs in every aspect of their lives, including birth ceremonies and baby naming. The naming process in the Mah Meri culture involves important customs that aim to safeguard the baby's well-being and protect it from the interference of evil spirits.The Mah Meri community is one of the Orang Asli groups living in Peninsular Malaysia, particularly in the coastal areas of Selangor, such as Carey Island. They belong to the Senoi tribe and are known for their rich cultural heritage, including the internationally renowned art of wooden mask carving.As a society that greatly respects the environment, Mah Meri's traditional beliefs are closely related to nature and the spirits of ancestors. They believe that every aspect of life, including birth and naming, has a connection with the spiritual world and requires the blessing and protection of the ancestral spirits.In the context of the moment after the birth of a child from a married couple, naming is an important ceremony because the Mah Meri community believes that there is a spiritual power that protects the baby from any threat, including the interference of evil spirits. This process is done with custom and tradition, reflecting their deep belief in the balance between man, nature, and spirit.<div> </div> ...

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TARIAN REJANG BE'UH

Rejang Be'uh is a traditional dance of the Bidayuh ethnic group, typically performed after the harvest season as an expression of joy, celebration, and communal entertainment for guests of the longhouse. This dance narrates the story of a Bidayuh hero named Madu Ujong, who was tasked by Raja Bintang to battle a legendary celestial bird known as Tingkilang Raman. His victory over this mythical bird would grant him the honour of marrying the king's daughter, Dara Buda. ...

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Kodai Makan Ain (Sri Menanti), Block A Perkampu...

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GULAI JANGEK

Gulai Jangek is a traditional Minangkabau dish from West Sumatra that uses cow or buffalo skin, usually prepared as crackers or cooked in a spiced coconut milk curry. This dish originates from the Minangkabau community's practice of utilizing every part of the animal, reflecting values of resourcefulness and preventing waste. Jangek is served during traditional ceremonies as a symbol of prosperity and culinary creativity, transforming a simple ingredient like skin into a flavorful dish with significant cultural value. ...

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JOHORE SPORTS CLUB DANCE

"Joget Johore Sports Club" is one of the songs accompanying joget, a traditional Malay dance widely popular in Malaysia, particularly in the state of Johor. Joget is believed to have originated from the Portuguese dance Branyo, introduced during the Portuguese colonisation of Malacca. Over time, joget evolved into a significant aspect of Malay culture, with various songs, such as "Joget Johore Sports Club," composed to accompany this dance. The dance was initially performed during the Royal Banquet of Johor, using a ghazal Johor song with a joget rhythm titled "Johore Sports Club," composed by the “Father of Johor Ghazal,” the late Tuan Hj. Musa bin Yusuff, also known as Pak Lomak. Initially, the dance lacked structured movements and was performed spontaneously, resembling joget lambak. The movements followed the rhythm and tempo of the accompanying music. The dance style includes basic joget steps, serampang, kunang-kunang mabuk, and ends with choreographed sequences. The movements showcase the elegance and grace closely associated with Malay society.<div> </div> ...

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Majlis Adat Istiadat Sarawak

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PAKAIAN TRADISIONAL LELAKI BIDAYUH DAN WANITA SELAKO

Basically, Bidayuh men wear   leather top and loincloth (cawat) to symbolize warriorship and long-sleeved black shirts and long pants at ritual ceremonies.  Bidayuh wear differs according to where they live. The colours they usually wear is red, yellow and black. While Bidayuh Salako women in Lundu and Sematan wear white.  They wear two types of traditional dresses, short-sleeved or half-sleeved blouses, which are also worn by other Bidayuh ethnic groups.   They match with black knee-length sarongs, decorated with lace.  Coins, copper bells and white, yellow and red beads are delicately embroidered on the sarungs. The Bidayuh clothing differs following their areas of origin. To note, the Bidayuh people are divided into four sub-racial groups who speak different dialects and practise different customs. These four groups live in four areas.  The Bukar-Sadong people live in Serian and Samarahan, the Biatah in Siburan, Padawan and Kuching, the Jagoi-Singai in Bau and lastly, the Salako-Rara in Lundu.<div> </div> ...

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Warung Mee Udang Ketam Angah Aran, 135 B, Parit...

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MI UDANG

Mi udang is served in many places in Malaysia. Mi is noodles and udang is prawn or shrimp.  Thus mi udang is noodles with prawns, in this case, in thick soup.  Since the 1970s and 1980s, this flavoury dish of mi udang has become popular in Perak, especially in the northern and coastal areas of Bagan Serai and Taiping. The Chinese cuisines brought to Malaya by the workers from China formed the basis of mi udang.  Mi udang is not only cooked for parties and celebrations, but also served in restaurants and eateries. The noodles are made from wheat flour, while the shrimp, the main ingredient, supplied by fishermen.   The meal, a much-loved-by-all, is due to the fresh river and sea prawns.<div> </div> ...

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ADAT RESAM DAN BUDAYA KAUM BIDAYUH: ADAT PINGIRIH

The pingirih tradition is a custom practiced within the multicultural society of Sarawak. This tradition embodies the unique values of mutual cooperation and assistance within the daily activities of the Bidayuh community in the state. The pingirih custom is typically observed in activities related to house construction and agricultural work involving the cultivation of paddy, pepper, cocoa, and rubber, which are the main commodities of the Bidayuh community. In other words, the pingirih tradition not only eases tasks but also helps lighten the workload and saves time in completing the work that the host is undertaking. Like the tradition of gotong-royong, pingirih activities are carried out collectively without any payment or wages. PINGIRIH CONCEPT When a family wishes to toban pingirih, meaning to host a pingirih, a notification and request are communicated to community members regarding the date, time, location, and type of work to be carried out. Typically, community members are always prepared in terms of time and resources for this purpose. On the specified date and time, the relevant community members will odi ngiri or come to contribute their skills and energy to complete the tasks and activities outlined by the pingirih organizer.In certain circumstances, some community members who join the pingirih are those who have previously hosted a pingirih. They attend as an act of reciprocating the pingirih, known as odi rapas pingirih. Participation in a pingirih is measured by the number of days a person contributes their labor. In certain cases, community members involved in the pingirih may request specific compensation from the organizer for their participation. Upon request, pingirih participants may be compensated with basic kitchen essentials such as rice, salt, and belacan (shrimp paste). In such situations, the agreement to provide compensation can be particularly helpful to community members facing challenges in securing basic food supplies. Additionally, pingirih participants are typically family members and friends willing to support the organizer. If compensation cannot be provided immediately, the assistance given is regarded and remembered as a sincere act of kindness. A hosted pingirih is not confined to a specific geographical area. It often involves nearly the entire village and sometimes neighboring villages as well. Thus, villagers consistently engage in pingirih-birumiek, or mutual assistance through pingirih. An example is pingirih ngutuom, a pingirih for rice harvesting, carried out in hopes of a bountiful harvest and to strengthen the sense of belonging within the community. Essentially, reciprocating a pingirih (rapas pingirih) does not necessarily occur simultaneously with the activities of odi ngirih. Instead, it depends on the timing and needs of the reciprocation. Therefore, a pingirih organizer may request the assistance of others due to their specialized skills. In other words, a person’s involvement may be required due to their expertise in a particular task.<div> </div> ...

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TARI SANGGUL LINTANG

The Sanggul Lintang Dance of Melaka is a traditional dance originating from the state of Melaka (Malacca). This dance is rooted in Minangkabau culture, which is part of the broader Malay cultural heritage in the region. "Sanggul Lintang" refers to a distinctive hairstyle often worn during performances, where the hair is styled into a special bun resembling a "star" or "cross." This graceful dance highlights the traditions, customs, and aesthetic beauty of the region. The movements are characterized by soft and intricate gestures that often convey respect, hospitality, and grace. Traditionally, the dance is performed during ceremonial or cultural events, such as weddings. However, some claim that the Sanggul Lintang hairstyle is also associated with the Baba and Nyonya community. The Sanggul Lintang, positioned at the back of the head, is made of two sections tied at the center. This headpiece, crafted from a combination of copper, gold, and suasa (a type of alloy), symbolizes the grandeur of Malay customs, particularly during the wedding ceremonies of Melaka's Malay community in ancient times. In the past, hairstyles were often linked to a woman's personality. Here lies the uniqueness of the Sanggul Lintang, used as a bridal hairstyle in wedding ceremonies. Additionally, many may not realize the variety of floral motifs that adorned the hairpins for the bun. These include patterns like Senayan flowers, Sundah Belum flowers, Kekwa flowers, Short White flowers, and Long White Ferns, inspired by wild plants found in the forest. Due to the extraordinary uniqueness of the Sanggul Lintang, the Sanggul Lintang Dance was created to showcase the beauty of the Henna Night (Malam Berinai) in the Malay Melaka community. The dance movements portray the joy of the bride and highlight the high value of Melaka's traditional bridal attire.<div> </div> ...

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Kodai Makan Ain (Sri Menanti), Block A Perkampu...

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GULAI PISANG MUDA DAN IKAN BILIS

Negeri Sembilan, also known as Negeri Sembilan Darul Khusus, is a state located on the west coast of Peninsular Malaysia. The people of Negeri Sembilan are originally from the Minangkabau tribe in West Sumatra, Indonesia, who started migrating here in the 14th century. This community group then settled in nine areas such as Johol, Jelebu, Klang, Sungei Ujong, Naning, Rembau, Jelai, Segamat, and Pasir Besar, then formed a federation known as Negeri Sembilan.In terms of traditional cuisine, Negeri Sembilan is famous for its Gulai Lemak Chili Api, also known as "masak lomak lado api." This dish is a symbol of Negeri Sembilan's traditional Malay cuisine and comes from the influence of Minangkabau. It is often prepared using ingredients such as fish, snails, chicken, vegetables, and smoked meat. Thus, Gulai Pisang Muda and Anchovies are very popular because of their rich and spicy taste, making them one of the iconic foods in this state.<div> </div> ...

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Citra Seni Budaya Association, 89150 Kota Belud...

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TARIAN SUMARANUM

Sumaranum is a traditional dance of the Iranun ethnic community, predominantly residing in the Kota Belud district and several areas in Kota Marudu and Tuaran. In the Iranun language, Sumaranum means "longed for" or "yearned for." The name reflects the community’s deep affection for the musical rhythm accompanying the dance, which is often longed for and fondly remembered. This dance has a rich history, originating as a central element of the Iranun community’s traditional healing ritual, the Parinang ceremony. Over time, as cultural shifts accompanied the Iranun people's embrace of a formalised religion, the dance evolved into a performance art form known as Ajung. This name was derived from the central feature of the dance—a structure called the Ajung, a replica of a house crafted from fabric or paper. The Ajung was elaborately decorated with colourful fabrics and flags at each corner. Eventually, the dance was renamed Sumaranum by consensus, a title that still endures. ...

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ADAT RESAM DAN BUDAYA KAUM IBAN: ADAT MENDIRIKAN RUMAH LAMIN

Rumah Lamin, also known as the Longhouse, is built in a rectangular shape with a length of up to 300 meters and a width of up to 25 meters. This longhouse is constructed facing a nearby river. It consists of multiple connected houses, each owned by a different family. The interior of each unit is divided into two main sections: a private area providing space for sleeping and a kitchen, and an open area with a ruai or veranda. Each family’s unit is separated by walls, establishing personal space and social boundaries for each family occupying the unit. Additionally, a main door is located at the front of the house, allowing easy access to the private areas within. Surrounding the longhouse are large statues made of wood, which are specially crafted by the Iban for ritual offerings to their ancestors. ...

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SENI TARI INANG BUKIT CINA

Inang Bukit Cina Dance is a form of traditional Malay dance originating from the Melaka region, specifically associated with Bukit Cina, a historic area in Melaka known for its Chinese cemetery. This dance is deeply rooted in Malay culture and plays an essential role in the traditional customs of the Malay community, reflecting a blend of Malay and Chinese cultural influences that form Melaka's unique cultural identity. ...

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