CULTURAL MAPPING PORTAL

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TARIAN MENGARANG MENYAK

Mengarang Menyak is a traditional dance of the Melanau ethnic group. This dance reflects the lives of the Melanau people who reside along the coastal areas of Sarawak and symbolizes the process of menyak, one of the methods used to produce sago flour, known locally as sei. The dance movements encompass all the activities involved in sago processing, including cutting, scraping, and trampling or pressing the sago palm to extract its pulp, known as tepung lemantak, which is then processed into sago. The dance also portrays the spirit of cooperation between men and women, working together harmoniously and joyfully as they perform their daily tasks.<div> </div> ...

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Meru Barat, Klang. Selangor

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MUZIK KENTRONG

Kentrong was brought by traders from Indonesia to Malaya and began to grow in Malaysia, especially in Selangor and Johor. Prof. Dr. Ding Choo Ming, Principal Research Fellow of the Institute of the Malay World & Civilization, Universiti Kebangsaan Malaysia, in his article “Trade and Migration”, opened the way to the spread of traditional Malay literature. He states that many writers, copyists, storytellers and others, such as kentrong craftsmen in Jawa, poets in Sunda, and entertainers, go back and forth across the ocean and spin on land to entertain and educate. This statement means that the behavior of migration and literary activities of art and culture happened because of the influence and good political changes in Malaysia. ...

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Persatuan Bangsawan Negeri Kedah, 216, Jalan Me...

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BANGSAWAN

Bangsawan theatre is one of the traditional performing arts originating in Southeast Asia and plays a significant role in Malaysia's cultural history. Bangsawan was initially influenced by Persian theatre known as Wayang Parsi, brought to Penang by traders and travelers from India in the late 19th century. Over time, this theatre style was adapted with local Malay cultural elements, making it a unique form of entertainment. A Bangsawan performance typically incorporates acting, singing, music, and dancing, blended into a dramatic theatrical production. Its stories often draw inspiration from Indian epics, Malay folklore, history, and fables rich in moral lessons. The early history of Bangsawan theatre is linked to the establishment of theatre troupes such as Wayang Parsi by the Nawab family from India, which later evolved into the first Bangsawan troupe in Penang. Initially, Bangsawan gained immense popularity among urban communities due to its lively and opulent entertainment value. These performances featured elegant costumes, creative stage settings, and orchestral music combining traditional and Western instruments. However, Bangsawan's popularity began to decline in the mid-20th century due to competition from modern media like radio, film, and television. Despite this, preservation efforts have been carried out by various parties, including the government, artists, and cultural institutions. Today, Bangsawan is still performed at certain cultural events and continues to be appreciated as a valuable part of Malaysia's cultural heritage. The term Bangsawan was first used by Mamak Pushi. Rahmah Bujang was the first to identify Bangsawan as a traditional theatre, while Samat Salleh defined it as popular theatre. According to the Kamus Dewan Bahasa dan Pustaka, Bangsawan also refers to the aristocratic class or royalty.<div> </div> ...

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WADAI

Wadai Kipeng, also known as Gayam by the Banjar Alai community in Johor, is a traditional dish resembling desserts such as Puteri Mandi and Bubur Candil. Made from glutinous rice flour mixed with salted water and a small amount of lime water, the dough is kneaded into small balls before being cooked. This dish holds cultural significance within the Banjar community, reflecting their culinary heritage and communal spirit. ...

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ADAT RESAM DAN BUDAYA MASYARAKAT MAH MERI KEMATIAN: MENGURUS MAYAT

The Mah Meri community is one of the Orang Asli groups that inhabit coastal areas in Selangor, Malaysia. They are known for their rich culture, woodcarving art, and unique customs, including in funeral and death ceremonies. The customs and rituals related to death in the Mah Meri community reflect their belief in the spiritual world and respect for the spirits of their ancestors.The Mah Meri community believes that death is not the end but the transition of the soul to another realm. The spirit of the deceased needs to be carefully managed to ensure that it gets a good place in the spirit world. They also believe that failure to perform the death ceremony correctly can cause the spirit of the deceased to disturb the living family members.<div> </div> ...

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Pertubuhan Kesenian Tradisional Dabus Tanjung B...

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TARIAN BELOTAH

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ADAT RESAM DAN BUDAYA KAUM IBAN: ADAT MENDIRIKAN RUMAH LAMIN

Rumah Lamin, also known as the Longhouse, is built in a rectangular shape with a length of up to 300 meters and a width of up to 25 meters. This longhouse is constructed facing a nearby river. It consists of multiple connected houses, each owned by a different family. The interior of each unit is divided into two main sections: a private area providing space for sleeping and a kitchen, and an open area with a ruai or veranda. Each family’s unit is separated by walls, establishing personal space and social boundaries for each family occupying the unit. Additionally, a main door is located at the front of the house, allowing easy access to the private areas within. Surrounding the longhouse are large statues made of wood, which are specially crafted by the Iban for ritual offerings to their ancestors. ...

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TARIAN JOGET MELAKA

Joget Dance is believed to have historical roots closely tied to Portuguese dances brought to Melaka in the 16th century during the Portuguese colonization. Known by various names such as "joget" or "joget Melayu," it is said to have been influenced by Portuguese folk dances and later developed with local characteristics. Melaka, as an important port in Southeast Asia, was a meeting point for various cultures and peoples, including Malays, Portuguese, Arabs, Indians, and Chinese. This cultural exchange produced a blend of artistic elements evident in various art forms, including dance. As a result, Joget in Melaka evolved with Portuguese cultural influences, which were then combined with traditional Malay elements.<div> </div><div>Initially, Joget was a social dance performed among the common people and became popular at social gatherings such as celebrations and community events. The dance is easy to follow due to its simple and lively steps. In Melaka, Joget Dance began to be widely performed at events such as weddings, festivals, and cultural celebrations, as well as entertainment at various social functions within the Malay community. Over time, the dance underwent adaptations and adjustments to suit local cultural tastes and identity. The dance further developed when traditional Malay musical elements were combined with Western and Portuguese musical influences. Instruments like gendang (drums), rebab (fiddle), and seruling (flute) often accompany Joget, creating a spirited rhythm that matches the lively and joyful nature of the dance.</div> ...

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KEK LAPIS SARAWAK

Kek Lapis Sarawak has indeed become synonymous with the culinary heritage of the Malay community in this state. Originally a special dish served during Hari Lebaran each year, it has now become a daily treat available at cake shops not only in Sarawak but also in Peninsular Malaysia, particularly in the capital city of Kuala Lumpur and Johor Bahru. ...

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Kampung Bubul Lama, Jalan Haji Jaafar, 91308 Se...

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ADAT RESAM DAN BUDAYA KAUM SULUK: ADAT PERKAHWINAN

The Suluk ethnic group is one of the main ethnic groups found in the state of Sabah, especially in the east coast area including the districts of Semporna, Lahad Datu, Kunak, Tawau and Sandakan as well as the west coast area especially in the Kudat district. This ethnic group originates from the Sulu Islands in the Philippines where it has a long history of migration as well as close ties with local communities in Borneo. The Suluk people in Sabah are famous for their maritime culture, where their lives are heavily influenced by fishing activities and sea trade. In addition, they are also known for their rich customs and traditions, including wedding ceremonies, the art of Pangalay dance, as well as the uniqueness of the language and oral literature that is still practiced today. Islam is the core of this ethnic identity, where elements of religion and custom are harmoniously integrated in every aspect of their lives, making the Suluk ethnic group one of the significant ethnic groups in the cultural landscape in Sabah (Kee Sabariah Kee Mohd Yussof & Asmiaty Amat, 2012). ...

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1399B, Gong Penaga, Pasir Panjang,21100 Kuala T...

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LAGU RAKYAT

Lagu Rakyat is a genre of traditional and contemporary folk songs music.  The 20th century saw the rise of lagu rakyat in Terengganu, Malaysia, especially so in her capital city Kuala Terengganu. These traditional songs are the people symbol, oral traditions through poetry and rhymes, narrating stories and life, turning back the hands of time at times.  Among the definitions of traditional folk songs are music, which:• spreads orally, • has no known composers, • is played by traditional instruments, • is about cultural or national identity, • changes between generations, • associates with people, folklore, or • is performed due to tradition and custom over a long duration.  These definitions differentiate it from the commercial or classical music. Popular Lagu Rakyat Terengganu are:- Dendang Nasihat- Tikor Seludang;- Chak Chilik- Embun Soksek- Kolek Berkolek- Itik Gembo Gembo- Manis Berladung- Wa Timang Landok- Anok Udang- Zapin Darul Iman- Joget Teganu Kite- Joget Guane Gamok Orang Kiter- Ngambak Ikan- Peel Orang Ganu- Sapa Situ Seme- Musim Booh- Dunia Lening- Si Burung Murai; etc.  In the past, lagu rakyat Terengganu were sung with the beats of drums, tambourines, or rhythmic hand claps as background. And for generations, their educate the young about culture and values.  In the old days, the folk-songs singers were called penglipur lara.  They brought merriment and fun, drawing the community together in happy moments at weddings and important celebrations.<div> </div> ...

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No.1 Jalan Selendang, Daerah Timur Laut, 11600 ...

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CHINGGAY

Chingay is a street art culture originating from China and has now become a distinctive cultural art form in the state of Penang. Chingay is a type of parade showcasing the skill of carrying and balancing Chingay flags as tall as 40 feet and colorful triangular flags measuring at least 25 feet by 15 feet each, attached to 40-foot-long wooden poles.The first Chingay parade in Penang took place in 1919, in conjunction with the birthday celebration of the Compassionate Deities, organized by market traders, the Chinese community, and other Chinese sub-communities. At that time, they carried Chingay flags and the shrine of the Compassionate Deities around George Town. They paraded while praying to the Compassionate Deities to protect their community from an ongoing epidemic.The second parade occurred in 1926 to celebrate the birthday of the Generous Deity, while the third parade was held in 1957 to commemorate the anniversary of the George Town City Council.<div> </div><div><div>In the early stages of the parade and performance, the Chingay dance primarily celebrated the beliefs and traditions of the Chinese community in Penang. In 1966, the George Town City Council organized the Penang Festival to promote tourism. During this event, the Chingay Parade was reimagined and enhanced with lion and dragon dances.</div><div> </div><div>It was during this time that the Chingay Parade transformed into a tourism promotion tool, as it played a significant role in attracting tourists and gave Penang a unique identity. This is evident as international tourists eagerly awaited festive days to visit Penang, drawn by the captivating and impressive Chingay Parade.</div><div>Through the years, Chingay has evolved into a heritage performance or parade that has existed for centuries in Malaysia. Chingay is celebrated annually on the 21st day of the first month in the Chinese Lunar calendar, coinciding with the birthday celebrations of Chinese deities. It is also known as the Goddess of Mercy Parade (Dewi Kwan Yin), marking the culmination of the Chap Goh Meh festival.</div><div> </div><div>This Chingay performance is now associated with religious events and traditional cultural practices. More intriguingly, today Chingay is appreciated and celebrated by Malaysians of various ethnicities as a symbol of unity. The Chingay dance has also begun to spread to other states, including Johor Darul Takzim, where it was performed in front of His Majesty the Yang di-Pertuan Agong, Sultan Ibrahim ibni Almarhum Sultan Iskandar, as well as during the Merdeka Parade in the presence of the 16th Yang di-Pertuan Agong, His Majesty Al-Sultan Abdullah Ri'ayatuddin Al-Mustafa Billah Shah Ibni Almarhum Sultan Haji Ahmad Shah Al-Musta'in Billah.</div><div> </div><div>The Chingay performance is currently undergoing the application process for UNESCO recognition.</div></div><div> </div> ...

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