During the performance of the traditional dance, Seletar Indigenous dancers wear costumes made entirely from natural materials sourced from their surrounding environment. The main material used is the bark of the Sebaru tree, a type of mangrove that grows along the coastal areas. The process of producing the costume begins with the careful selection of suitable tree bark, followed by cleaning, sun-drying, and curing, which typically takes about a month. Once dried, the bark is meticulously woven by approximately six community members to create a complete set of attire.

One of the main musical instruments used in the Seletar Indigenous dance is the buluh cehtong. This instrument falls under the category of idiophones, which produce sound through the vibration of the material itself, without the need for strings, membranes, or air columns. The buluh cehtong is made from bamboo stalks cut into various sizes to produce different pitches. It is played collectively, where each musician takes turns striking the bamboo sticks against the floor, creating a pleasant and repetitive rhythm. The resulting beat not only accompanies the dancers’ movements but also forms the core foundation for the entire atmosphere of the performance. 

In addition to the buluh cehtong, the tabla is also used in these performances. The tabla is a two-surface percussion instrument originating from Indian culture. Its inclusion in the Seletar dance reflects the assimilation and adaptation of external cultural elements into the performing arts of this community. The sound produced by the tabla adds rhythmic variation, enriching the existing musical layers and providing strength to the tempo of the dance movements.

Furthermore, the makasar instrument is also played during performances. It is made from processed coconut shells that produce sound when struck. The makasar contributes an additional rhythmic element that is unique, enhancing the natural characteristics that are central to the Seletar Indigenous cultural identity, which is deeply connected to nature.

In some modern performances, a mixer or electronic sound control system is also utilized. The use of the mixer ensures a balanced sound between all musical instruments and vocals, especially during larger stage performances or formal events. With the assistance of this technology, the entire performance can be enjoyed clearly by the audience without diminishing the traditional values presented.

The dance possesses its unique characteristics, as it reflects the close symbiotic relationship between humans and the marine environment, which serves as their primary source of livelihood. The concept of this performance is rooted in the daily experiences of the Seletar community, which are deeply connected to the maritime ecosystem. As such, the dance movements and foot rhythms of the dancers are typically synchronized with the themes of the songs performed throughout the presentation.

Several types of songs are performed during the dance, each carrying specific meanings depending on the occasion being celebrated. For instance, the song Ketam Jengkeng is often performed during wedding ceremonies. This song symbolizes crabs emerging from the rising tide, representing fertility and the beginning of a new phase in married life. Meanwhile, the song Daeng Neng Kai is performed during ceremonies honoring the ancestors, expressing gratitude and respect towards previous generations. The song Oghayo-Oghayo carries the theme of hunting and foraging experiences, reflecting the Seletar people's traditional economic activities, which rely on the bounty of the sea and forest.

Mr. Jahan bin Tom. Persatuan Tarian Orang Asli Seletar Sg. Temun. Kg. Orang Asli Sungai, Temon, Johor Bahru.