ADAT RESAM DAN BUDAYA KAUM KADAZANDUSUN SUKU DUSUN TATANA: ADAT PERTUNANGAN DAN PERKAHWINAN

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Introduction and history

The Dusun Tatana, more commonly known as "Tatana," is one of the 79 sub-ethnic groups within the Kadazandusun community, the largest ethnic group in Sabah. This sub-ethnic group predominantly resides in Kuala Penyu, a district in the southwestern region of Sabah. The Tatana people are renowned for their diverse customs and cultural practices, which reflect the broader identity of the Kadazandusun community. While they share similarities with other sub-ethnic groups regarding cultural values, beliefs, and traditions, the Tatana people possess distinct practices that highlight their unique identity. Among these enduring traditions are their engagement and marriage customs.

Functions and Roles

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Traditional Attire/ Accessories

In today’s contemporary world, most couples can choose between modern wedding attire and traditional garments. However, within the Dusun Tatana ethnic community, cultural identity remains firmly preserved, particularly in their wedding customs. Typically, modern outfits such as gowns and suits are worn during the main wedding ceremony or dinner receptions, while traditional attire is reserved for customary rituals. This approach balances showcasing cultural nuances through wedding attire and accommodating contemporary preferences without causing conflict within the community.

Regarding traditional attire, the bride’s wedding dress is known as Sira Lambung, which resembles a kebaya but features slits on the sleeves and is complemented by a striped fabric called Piwaris. The dress is adorned with beadwork forming floral patterns on the chest. Around the waist, the bride wears a sarong tied diagonally in a 'V' shape, secured with a silver belt called Botungkat. Additional decorative accessories include silver necklaces and bracelets made of silver or copper. For the headpiece, the bride adorns her hair bun with small flowers.

For the groom, the traditional attire is called Sira Dambia. This outfit includes a shirt with a pocket, often decorated with a neatly placed handkerchief. Sira Dambia is commonly paired with a long sash called Sandai, which is draped diagonally over the shoulder and wrapped around the groom’s body. However, some grooms prefer not to wear the Sandai and opt for a plain outfit without the sash. The groom’s adornment is minimal, limited to the Sigar, a headpiece featuring a tail-like knot at the back.


Photo 2: Dusun Tatana Wedding Attire
Sumber: Pirawis Traditional Costume

Equipment/ Ingredients

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Method / Preparation Method / Presentation Method

The engagement and marriage customs of the Dusun Tatana community encompass a structured traditional process. Beginning with the interest of a young man in the woman of his choice and culminating in marriage, these customs adhere to the regulations set forth by this ethnic group. Below is an outline of the stages in Dusun Tatana engagement and marriage traditions:

1) Engagement

The engagement process begins with the role of an elder, either a man or a woman, who acts as a mediator known as the “Susuruan”. This individual is chosen for their wisdom, trustworthiness within the community, and negotiation skills in matters of marriage. The Susuruan represents the man’s family in delivering the marriage proposal to the woman’s family after the man expresses his desire to marry her. This tradition is typically conducted on auspicious days, such as Tuesday, Thursday, or Saturday, which are believed to bring blessings.

Once the proposal is delivered, the woman’s family is given time to discuss and set a date for the Susuruan to return for an answer. If the proposal is accepted, the woman’s family prepares a meal as a gesture of agreement and unity between the two families. Conversely, if the proposal is rejected, the process ends without dispute, with the rejection conveyed respectfully and truthfully, reflecting the community’s culture of mutual respect.

For accepted proposals, the engagement date is set based on mutual agreement between the families. The chosen date often considers auspicious days and months, typically favouring even numbers, which are believed to bring balance and harmony. The engagement expenses are fully borne by the man’s family, but the amount depends on their financial capability, allowing flexibility without imposing undue burden.

Customarily, the engagement dowry includes, a buffalo or pig, a pair of traditional fabrics, a gold engagement ring, a gold bracelet, Household expenses set at a reasonable amount, a Talak payment of RM500. These items symbolize the man’s readiness to shoulder his responsibilities as a husband and show respect to the woman’s family.

During the engagement period, strict rules are observed to protect the couple’s honour. Intimate relationships before marriage are prohibited. The woman is also not allowed to leave her home without her fiancé’s permission, which is aimed at preserving her dignity and avoiding gossip. If the woman violates these rules, she is subjected to a fine (Sogit), requiring her to return all expenses incurred by the man during the engagement. If the man violates the agreement, his expenses are forfeited. These structured rules highlight how Dusun Tatana customs serve as a social mechanism to ensure engagement is upheld with respect and responsibility.

2) Kotoliban/Sepangadak

Kotoliban or Sepangadak is a significant tradition observed in cases of Langkah Bendul, where a younger daughter marries before her older sisters. This practice seeks to uphold family harmony and express respect toward the elder sisters who have not yet married. In such instances, the younger sister who marries first is required to present Kotoliban gifts as a gesture of respect and to seek the blessings of her older sisters.

The Kotoliban gifts typically include symbolic items such as a Dundung or Sigar (headgear), a set of Sira (traditional Tatana attire), a Gonob (sarong), and a gold ring. These gifts are presented during the handing over of the wedding dowry. The elder sisters who receive the gifts then bestow their blessings on their younger sister as an expression of support and sincerity.

3. Handing Over the Balun (Wedding Dowry)

The process of handing over the Balun or wedding dowry is usually conducted one month or one week before the wedding ceremony. Representatives from the groom’s family, accompanied by a small entourage, present the Balun in accordance with tradition, typically in the morning. Morning is considered the most auspicious time to ensure the wedding ceremony proceeds smoothly. The bride’s family ensures that all the dowry items are accurate and complete, as agreed upon during the engagement ceremony. The items included in the Balun typically consist of:

Table 1: Balun (Dowry) Items

Bil.

Dowry

Purpose

1

Inapung (Dowry)

Usually RM500, subject to prior agreement with the bride’s family.

2

Wedding Expenses (Belanja Angus)

Amount ranges from RM3,000 to RM10,000 for the wedding ceremony.

3

Gantung Money

A sum of money mutually agreed upon, known as ‘Pagar’ or compensation money. Historically, this amount was paid by the husband if he mistreated his wife or divorced her without valid reason. The amount typically ranges between RM200 and RM300.

4

Gold Jewelry

A complete set of gold bracelets and necklaces, presented as the main gift to the bride.

5

A Buffalo (Rinampung)

A buffalo is sacrificed as the main dish for guests and a centerpiece of the wedding feast.

6

A Pig

A pig is also sacrificed to bring prosperity to the village community and is served as a customary dish.

4) Wedding CeremonyWedding preparations involve the processes of Moginum Kawin and Bemasak, where both families collaborate to prepare a grand feast. The main dishes include Kolupis, a traditional sticky rice dish, along with various other delicacies, including buffalo and pig specifically slaughtered for the celebration. These dishes are served during the evening festivities, known as Moginum. On this evening, the ritual of Moginum Kawin is performed, where the bride and groom drink traditional rice wine as a symbol of uniting the two families and celebrating their union.A significant custom during the wedding ceremony is Mi Baisan, in which the bride and groom formally bestow the titles of “father” and “mother” to their in-laws. This is officiated through a symbolic ritual known as Mitunui, where the couple exchanges cups in the presence of two witnesses. Additionally, the couple participates in a drinking ritual with their siblings. During this tradition, specific terms of endearment are used, such as “Gasi” for in-laws and “Along” when in-laws address each other.After the Mi Baisan ritual concludes, the parents of both the bride and groom perform a traditional ceremony called Bersigup Kirai, where they smoke rolled tobacco leaves and chew betel nut together. The event concludes with the beating of gongs and the Sayau Mi Baisan dance, where all family members join hands in a large circle, symbolizing joy and unity. The gong rhythms accompanying the dance also mark the official end of the wedding celebration.


Photo 3: "Bersigup Kirai" RitualSource: Tatana Cultural Association of Sabah5) Kahwin Nialap and Kahwin UnuliKahwin Nialap refers to a situation where a man and woman, with mutual consent, live together as husband and wife without prior engagement. The marriage ceremony is conducted quickly and simply, with expenses limited to one buffalo, one pig, and modest household provisions. Kahwin Unuli, on the other hand, involves the man moving into the woman’s home. The woman makes the decision to accept or reject the man as her husband.

Figures and Achievements

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Reference Source

Cosmas, G., Sombuling, A., Melai, B. A. A., & Poninting, A. (2008) Does the Possession of a Kadazandusun Traditional Costume and the Capability to Play a Traditional Musical Instrument Differentiate an Individual’s Identity Orientation?


Pugh-Kitingan, J. (2012). Kadazan Dusun. Institut Terjemahan & Buku Malaysia.


Sintian, M., & Malim, T. (2012) Perkahwinan Etnik Kadazan Dusun Tradisional Suatu Perjalanan Adat.


Tamring, B. A. M. (2018). Mikorot Dalam Konteks Kebudayaan Etnik Dusun di Sabah: Analisis Dari Perspektif Hubungan Etnik: Mikorot in the Context of the Dusun Ethnic Culture in Sabah: An Analysis from the Perspective of Ethnic Relations. MANU Jurnal Pusat Penataran Ilmu dan Bahasa, 27, 93-120.


Location

Informant/Figure/Editor/Researcher

State JKKN Contact Information

Puan Nurshahrinna Syahrial

Cultural Officer

Jabatan Kebudayaan dan Kesenian Negara, Sabah
Kompleks JKKN Sabah, Jalan Tasik off KM4 Jalan Penampang, 88200 Kota Kinabalu SABAH

088-205070

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