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Introduction and history

The migration of the Minangkabau community to Negeri Sembilan has brought together their cultural heritage, including traditional arts such as the Piring Dance. In the Minangkabau culture, this dance is also known as Tari Piring. It is a dance art belonging to the Minangkabau community that is still practiced by the people of Negeri Sembilan. This Piring Dance is believed to have been brought by the Minangkabau community from West Sumatra when they moved to Negeri Sembilan.

Since then, the Piring Dance has been accepted as part of customs, especially in ceremonies that involve competition and wedding ceremonies in the Negeri Sembilan community. This dance plays an important role in Malay wedding traditions in Negeri Sembilan. To ensure the continuity of this heritage, Piring Dance was recognized as a National Heritage by the National Heritage Department in 2015.


Functions and Roles

The Piring Dance serves as:

Symbol of Gratitude: Representing thankfulness for a successful harvest.

Wedding Tradition Complement: Performed to celebrate the bride, groom, and guests.

Traditional Entertainment: Providing enjoyment during ceremonies and events.

Symbol of Agility: Showcasing the dexterity and skill of the dancers.

Cultural Preservation: Upholding the Minangkabau culture and identity in Negeri Sembilan.


Traditional Attire/ Accessories

FEMALE DANCER CLOTHING 

Baju Kurung or Long Kebaya

Female dancers usually wear a baju kurung or a long kebaya that displays civility and cultural sophistication. These dresses are decorated with embroidery or traditional motifs to add an element of elegance.


Songket Cloth or Woven Sarung

The bottom cloth worn is a songket or colorful woven sarung with traditional Malay and Minangkabau patterns, symbolizing the wealth of inherited culture.



Selendang or Samping

The selendang or samping is worn around the waist or draped over the shoulder, enhancing the dance movements and adding a dynamic touch to the dancer's appearance.



Headpiece (Tengkolok or Sanggul)

Female dancers typically wear a sanggul (bun) adorned with flowers or traditional accessories. Male dancers sometimes wear a tengkolok or destar to reflect elements of Malay culture.


Additional Accessories

Bracelets, earrings, and necklaces are added as supplementary accessories to enhance the traditional appearance.


Plates in Hand

The plates are a crucial element of this dance. Dancers hold plates in both hands throughout the performance, showcasing their artistry and dance skills.

MALE DANCER CLOTHING 

Baju Melayu or Kurung Teluk Belanga

 Comfortable traditional Malay attire.

Kain Samping or Songket

 Wrapped around the waist, featuring traditional patterns.

Long Pants

 Allows for freedom of movement.

Tengkolok or Destar

 A traditional folded headpiece.

Additional Accessories

 A sash or belt to complete the outfit.

Plates in Hand

The main element held throughout the dance showcasing the dancers' agility and skill.


Equipment/ Ingredients

The musical instruments for Piring Dance are briefly as follows:

Rebana – The main percussion instrument accompanying the dance.

Gong – Provides rhythm guidance to the dancers.

Caklempong – Used in some performances.

Saluang – A traditional flute, occasionally added to the performance.

Method / Preparation Method / Presentation Method

Usually, Piring Dance dancers only dance for a period of three to five minutes, with a number of dancers between three and seven people. Additionally, each Piring Dance performance must be performed by an odd number of dancers. 

The Piring Dance performed by the dancers will end when all the plates have been stepped on, and the dancers close their performance with a closing prayer or a prayer to the bride and groom for the second time. This is the uniqueness of the Piring Dance heritage in Negeri Sembilan.


Figures and Achievements

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Reference Source

Bahan Bacaan: 

Azril Ashraf Yusrida,Muhamad Adib Mohd Razif,Ryanold S.R. Rosidi, Nurussobah Hussin & Wan Satirah Wan Mohd Saman. Tarian Kebudayaan Negeri Sembilan: Tarian Piring Dan Tarian Lilin. Jurnal Sejarah Lisan Malaysia Issn 2600-7088 Jilid 2 Isu 2.  Oktober 2018. Https://Ir.Uitm.Edu.My/Id/Eprint/91896/1/91896.Pdf


Bernama. (2020). Belajar tarian piring lambung, bongai dalam talian. Berita Harian Online. https://www.bharian.com.my/rencana/sastera/2020/07/706467/belajar-tarian-piring-lambung-bongai-dalam-talian


Mohd Zin Mohd Sahid. (1998). Pengenalan Ringkas: Tari Piring. Tarian Tradisional di dalam Adat Perkahwinan Negeri Sembilan. Unit Pemuliharaan dan Penyelidikan, Pejabat Kebudayaan dan Kesenian Negeri Sembilan. https://malaycivilization.com.my/omeka/files/original/85a7b168cd29dc4bdf176d2cf8d11460.pdf


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State JKKN Contact Information

Rosdianah binti Roman

Cultural Officer

Jabatan Kebudayaan dan Kesenian Negara, Negeri Sembilan
Kompleks JKKN Negeri Sembilan Jalan Sungai Ujong 70200 Seremban NEGERI SEMBILAN DARUL KHUSUS

06-767 6793/763 6308 / 761 0593

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