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MUZIK CAKLEMPONG
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Introduction and history
In Malaysia, Caklempong was introduced to Negeri Sembilan in the 14th century by the Minangkabau community from West Sumatera. They migrated to Malaya to trade and eventually settled here. Provided that many Minangkabau people live in Negeri Sembilan, the Caklempong musical game is recognized as the traditional music of the state. Now, the art of Caklempong music has been expanded to other states and is taught in schools and institutions of higher learning. Caklempong is also known as Talempong. It is used in Nobat music, which is a type of traditional orchestra held during ceremonial and royal events, where musicians play an important role. Caklempong consists of a set of small gong-shaped musical instruments or "bonong," in which each of these instruments produces a unique tone.
The role of Caklempong music is basically:
Brighten Traditional Ceremonies: Accompanying wedding ceremonies and traditional events.
Accompanying Traditional Dances: Used for dances such as Tari Piring and Tari Gelombang.
Preserving Cultural Heritage: Preserving the Minangkabau musical tradition in Negeri Sembilan.
Foster Social Bonds: Encourage cooperation among players and the community.
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There are three main set instruments in the Caklempong music group, which are "gereteh," "saua," and "tingkah." Caklempong is often played with other instruments such as "Gendang Ibu," "Gendang Anak," "bangsi," "serunai," and "pupuik." Sometimes, modern musical instruments such as rebana and kompang are also included to make it more lively. Caklempong or Talempong produces a static sound texture that is interconnected and harmonious.
Caklempong musical instruments are round in shape with a diameter between 15 and 17.5 centimeters, placed in a shelf or tray-shaped frame. The top of this instrument has a protrusion or button that is struck to produce sound. Each of these instruments produces a different tone and is usually played to accompany traditional dances such as Tari Piring, Tari Alang, Tari Payung, and Tari Linin.
Caklempong is a small gong that gives a name to a group of instruments consisting of four or five caklempong as well as a gong and a drum. The term can refer to a musical instrument, a group of players, or a genre of music. Each caklempong is round with a diameter between 15 and 17.5 centimeters and has a perforated hole at the bottom. At the top, there is a 5 centimeter diameter protrusion that is struck to produce a sound. Each caklempong emits a different tone, and its characteristic sound is produced by hitting the wood on its surface. Caklempong often accompanies traditional dances such as Tari Piring, Tari Pasambah, Tari Alang, Tari Suntiang Pangulu, and Tari Gelombang.
Caklempong is usually played with the accompaniment of an accordion or organ played using the player's right hand. In addition to the accordion, instruments such as saluang, gandang, serunai, and other traditional Minangkabau instruments are also played together. Caklempong can also accompany various types of traditional and modern music and has been used in several experimental gamelan pieces compiled by Sekolah Tinggi Seni Indonesia in Surakarta.
In conclusion, the Caklempong performance structure begins with the "Master of Ceremonies", who is in charge of welcoming the host or guest of honor. Before the performance begins, a welcome speech will be given. The performance starts with the "Bansi" instrument and ends with the Talempong Pacik instrument. Next, the Caklempong Goyang group plays traditional Minangkabau melodies, starting with a slow tempo and ending with a fast tempo. Here, the Caklempong Goyang players will move according to the song, and the audience can also request a certain song as entertainment. To brighten up the atmosphere, sometimes the players also make spontaneous jokes accompanied by music. Caklempong Goyang performances usually end with a Saluang Dendang game.
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Reference Source
Bahan Bacaan
Daniel Jong. (2016). Caklempong identiti unik Negeri Sembilan. Malaysia Aktif Online. https://malaysiaaktif.my/2016/05/17271/
Mubarak Ismail. (2022). Cak Lempong bukan sekadar Seni dan Warisan. Dewan Budaya. https://dewanbudaya.jendeladbp.my/2022/10/21/3554/
Nahizul Adib Kadri. (2018). Lentera Kesuma pewaris caklempong negara. Wartawan UM. https://wartawanum.wordpress.com/2018/11/03/lentera-kesuma-pewaris-caklempong-negara/
Location
State JKKN Contact Information
Rosdianah binti Roman
Cultural Officer
Jabatan Kebudayaan dan Kesenian Negara, Negeri Sembilan
Kompleks JKKN Negeri Sembilan
Jalan Sungai Ujong
70200 Seremban
NEGERI SEMBILAN DARUL KHUSUS
06-767 6793/763 6308 / 761 0593
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