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MUZIK KOMPANG JAWA
Kampung Parit Baru Darat, Sungai Ayer Tawar di Sabak Bernam, Selangor
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Introduction and history
Kompang Jawa music, also known as Kompang Tiga in Malaysia, originates from the tradition of Jawa people who migrated to Malaysia, especially in the 19th century, brought by Jawa immigrants who settled in states such as Johor and Selangor. Kompang Jawa has developed into a musical accompaniment in religious events, customs, and public events such as weddings, circumcision ceremonies, and banquets. The rhythm of kompang played in groups symbolizes the spirit of goodwill. It is often accompanied by songs of praise and prayer, showing the function of kompang as a tool for the unification and dissemination of Islamic cultural values in Malaysia.
Here are three roles of Kompang Jawa music in Malaysia:
Enhancing Events: Kompang is played to accompany events such as weddings and celebrations, creating a lively and festive atmosphere.
Spreading Religious Values: The Kompang performance is often accompanied by selawat (blessings) or praises, serving as a medium to convey Islamic values.
Preserving Cultural Identity: As a symbol of the Jawa people's heritage, Kompang music helps preserve the traditions and identity of the Jawa community in Malaysia.
Wearing Baju Melayu or Baju Kurung: Traditional attire for male and female musicians.
Wearing Samping or Kain Batik: Worn around the waist to complete the traditional outfit.
Wearing Songkok or Headscarves: Head coverings in accordance with cultural and traditional customs.
Kompang Jawa music in Malaysia has two different traditional forms, namely teruntung and hadaro. Each type of performance has special characteristics in terms of the use of musical instruments, the number of players, as well as the tempo and rhythm played. This difference not only shows the uniqueness of each performance but also brings cultural elements of Jawa society, rich with musical traditions.
Kompang Teruntung is a type of performance that uses various sizes of kompang and is played in a slower and deeper rhythm. This performance requires nine players, and each player plays his role with a specific musical instrument known as kempleng, tening, gong, beduk, and several other instruments. At night, the Teruntung rhythm becomes more melancholy and melodious due to the larger size of the kompang used. The sound of this music can also be heard from a distance, creating a more calm and melancholic atmosphere. These characteristics make Teruntung more suitable for ceremonies or events that require a peaceful and calm atmosphere.
Reference Source
Bahan Bacaan: i. Nik Mustafa Nik Mohd Saleh (2009). Alat Muzik Tradisional Dalam Masyarakat Melayu di Malaysia. Jabatan Kebudayaan dan Kesenian Negara. ii. Mahadzir Syed Ibrahim. Siri Penyelidikan Seni Budaya. Jabatan Kebudayaan & Kesenian Negara, Kementerian Penerangan, Komunikasi dan Kebudayaan Malaysia, 2010. iii. Patricia Matusky & Tan Sooi Beng. (2012). Muzik Malaysia: Tradisi Klasik Rakyat dan Sinkretik. Penerbit Universiti Malaya Iv. Shafique Danial Johari (2023). Adiguru Cendana: Badron Bin Omar. Bandar Aktiviti Seni. https://baskl.com.my/adiguru-cendana-badron-bin-omar/
Location
State JKKN Contact Information
Ahmad Zaimy bin Mohd Yusoff
Cultural Officer
Jabatan Kebudayaan dan Kesenian Negara, Selangor
Tingkat 6, Menara Korporat,
Kompleks IDCC Shah Alam
Jalan Pahat L 15/L, Seksyen 15
40200 Shah Alam,
SELANGOR DARUL EHSAN
03-5543 1654 /1763
