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Introduction and history

Tarian Belotah is a folk dance of Perak paddy farmers, their melodious way of turning farming toil into a joyous awaited occasion. This dance is to separate paddy grains from the stalks, and they do it with rhymes.   Lotah means rhyme, hence ‘belotah’ is rhyming.  


Gemal padi (bunches of paddy stalks tied together) are placed on a platform, made from pinang tree planks.  The planks are tied with rattan and secured to the floor. Then a group of ten to fifteen step on the paddy stalks on the floor in a circle in an effort to separate the grains from the stalks.  While stepping, they exchange poems and songs, the melotah.  


Sweetly, while laboring, separating paddy gains, the young men turn their drudgery into pleasure by teasing and courting the girls.  Melotah eventually becomes an anticipated event for the young to socialise since in those days, society was extremely strict about boys meeting girls. 


Belotah is akin to a sewang dance where the dancers rhyme while stepping on the paddy stalk bulks (gemal padi).  They will also shout while jerking the platform, moving the planks rhythmically.  As the planks move, they rub each other, producing squeaky sounds.  These squeaky sounds are the ‘background music’ of the dance.  So, the dancers move to the rhythm of the sound, swinging their legs twice forward and twice back, singing along the jerks of the planks.  


Lyrics of Short Lotah 


When it's cut, such a waste being cut

Gracious goes the root of the tree

Please, let it be, let it be sir

Ha ha hi

Ha ha hi

Ha ha hi

Lotah de lang le

Gracious the roots of the wood 

Lotah de lang le

Wishing to tie the yam 

Lotah de lang le

Soft are the planks

Wishing to harvest the rice

The spirit of the rice

Lotah de lang le

Lotah de lang le

The of stump of the mountain a sacred mountain

Hai ya ya ye

Can be seen from a high cliff

Lotah de lang le

We are here to welcome

Hai ya ya ye

Our revered sir

Who just arrived

Lotah de lang le

Lotah de lang le


Functions and Roles

Tarian belotah functions as a heritage art of the nation.

Traditional Attire/ Accessories

Dancers wear daily clothes, not any special ones.  However, for the purpose of performing at official events, they wear a baju Melayu with a sampin and tanjak, the headgear. Female dancers wear Kedah baju kurung with a batik sarung.

Equipment/ Ingredients

The items of the dance are a platform, paddy stalks, a nyiru (a flat woven bamboo plate-like item) and a mat. The floor of the platform is made of a palm tree stem, sawn or cut into planks, and tied with rattan, then secured to the floor. This platform accommodates 10-15 dancers.

Method / Preparation Method / Presentation Method

To dance, one must step on the paddy stalks placed on the floor in a circle.  The dancers rhyme intermittently saying "Lotah... Lotah... hei lah... le!" There are two types of belotah rhymes, the lotah panjang (the long rhyme) and the lotah pendek (the short rhyme). This merry shouting and jumping are exciting as the boys and girls tease each other. 

Figures and Achievements

Mohd Radzi bin Abdul Manaf. 


He is the secretary of the belotah organization and often dances in Perak. A teacher and reference of the belotah arts in Perak, he is the lead of the dance shows. 


Reference Source

i.      Bahan Bacaan

a)    Azam, Zaharul & Shuradi. (2013) Muzik Tradisi Tari Rakyat Perak : Suatu Pendekatan Etnomuzikologi. Malaysian Music Journal. Diambil Daripada

https://ejournal.upsi.edu.my/index.php/MJM/article/view/647/424

Isi Kandungan : Lotah atau Belotah merupakan sejenis tarian berserta nyanyian beramai-ramai ini bersifat ritual magis yang memuja semangat padi. Tarian ini dari segi konsepnya ada persamaan dengan tarian Sewang yang diamalkan dalam kalangan orang-orang asli di perak. Tarian Lotah telah wujud pada awal kurun ke 19.

b)    Keratan Akhbar (1979). Lotah- tarian tradisi yang telah dibaharui. Diambil daripada

http://perakgateway.utp.edu.my/repo/347/1/1951_41.pdf

Isi Kandungan : Lotah mula ditarikan di Kampun Tanjung Bidara dalam daerah Perak Tengah kira-kira seratus tahun yang lalu. Apa yang menakjubkan tarian ini asalnya hanya disertai oleh orang lelaki sahaja bagi menunjukkan kerja mengirik padi ini tugas orang lelaki sahaja. Perubahan telah dilakukan dengan membawa masuk gadis-gadis mengambil bahagian bagi bertujuan untuk pesta mencari jodoh.

 

ii.    Tokoh (jika ada temu bual tokoh)

Mohd Radzi bin Abdul Manaf

Location

Informant/Figure/Editor/Researcher
  • Mohd Radzi bin Abdul Manaf
  • Pertubuhan Kesenian Tradisional Dabus Tanjung Bidara, Perak
  • +60195167159
Get Directions

State JKKN Contact Information

Encik Yufazli Yusof

Cultural Officer

Jabatan Kebudayaan dan Kesenian Negara Perak
Kompleks JKKN Perak, Lot 20561@20565 Jalan Caldwell, Off Jalan Raja Di Hilir, 30350 Ipoh, PERAK DARUL RIDZUAN

05-253 7001 / 05-254 1027

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