ADAT RESAM DAN BUDAYA KAUM KADAZANDUSUN SUKU DUSUN KIMARAGANG: ADAT PERKAHWINAN

Picture

1

Video

No record

Today's Visitor

6

Number of Visitors

922

Introduction and history

The Dusun Kimaragang is one of the largest tribes within the Kadazan Dusun community, residing in the northern part of Sabah, Malaysia. This community predominantly lives in the Kota Marudu, Pitas, Beluran, Paitan, and Sandakan. The Dusun Kimaragang are renowned for their strong agrarian culture, particularly in rice cultivation, which forms the foundation of their economic and social life. In addition to their agricultural prowess, their customs and cultural practices are deeply rooted and reflect the philosophy of communal living. One of the cultural traditions they continue to uphold today is the traditional marriage custom, which follows the processes and structures inherited from their ancestors.

Functions and Roles

-

Traditional Attire/ Accessories

-

Equipment/ Ingredients

-

Method / Preparation Method / Presentation Method

The marriage customs of the Dusun Kimaragang are carried out with well-organized rituals and consist of five stages: Mongumpai (matchmaking), Palabat (proposal inquiry), Mangatod (engagement), Mikonan (presentation of dowry), and Misasawo (wedding ceremony).


6. Mongumpai  (matchmaking)

Mongumpai refers to seeking signs of compatibility with a prospective wife. A single, eligible man visits the home of the woman he wishes to marry and spends the night there. Before sleeping, the man performs Momabar (making an intention) to Kinoringan (God), asking for a sign of compatibility with the woman. According to the Kimaragang belief, the man typically receives a dream, either good or bad. If no dream occurs during the Mongumpai session, the man can make his own decision. However, in modern times, the Mongumpai custom is rarely practiced and is left to the individual's discretion.


7. Palabat (proposal inquiry)

After that, the initial stage of marriage begins with the 'Palabat' or the courtship process. This process, also known as 'Lumabat' or 'Sumondot,' involves a representative from the groom’s side—usually a neighbour or close relative—visiting the bride's family to inquire whether their daughter is already engaged or not. During this visit, the representative brings a gift, typically fish, as a gesture of respect. If the daughter is not yet engaged, an agreement will be made to proceed to the next stage, known as ‘Mangatud dot Soputangan,’ which signifies the formal proposal of engagement.


8. Mangatod Dot Soputangan (engagement)

After the Palabat process, the wedding tradition continues with the ‘Mangatud dot Soputangan’ ceremony, which involves the presentation of a handkerchief as a symbol of the groom’s sincerity in proposing. During this process, a small delegation from the groom’s side brings a bundle known as ‘Damakan’, containing betel leaves, areca nut, lime, Sigup (tobacco), and Kirai (tobacco leaves) wrapped in a handkerchief. This handkerchief is then hung on the roof of the bride’s house.


This tradition carries its symbolism: if the handkerchief is not returned within three days, it signifies that the groom’s proposal is not one-sided, and the proposal is considered accepted. Additionally, the groom’s side also prepares other gifts, such as a ring, a set of makeup tools, and a rooster with long tail feathers that touch the ground, known as ‘Rundukan Taboi’. Once the proposal is accepted, an agreement is made to proceed with the next stage of the wedding process.


9. Mikonan (presentation of dowry), 

After the proposal process, the wedding tradition proceeds to the most crucial stage, known as Mikonan, also referred to as ‘Tarang Hantaran’. This stage involves determining the dowry or offerings that the groom’s side must prepare as a prerequisite for the marriage. During this discussion, both parties engage in detailed negotiations about the type and amount of dowry requested by the bride’s family. Below is a list of basic offerings that are commonly requested by the bride’s side:

Table 1: Tarang Hantaran (Offerings) of the Dusun Kimaragang

No.

Berian (dowry)

Purpose

1

Wang Berian

The agreed-upon monetary amount to be given to the bride's family serves as compensation for the parents' efforts in raising their daughter. This amount is considered the rightful entitlement of the parents.

2

Belanja Angus

The money is allocated for the wedding ceremony.

3

Wang Gantung

The money or buffalo was mutually agreed upon as a form of ‘Pagar’ or compensation. Traditionally, this serves as a guarantee to be paid by the husband if he mistreats his wife or divorces her without cause.

4

Buru

Cash ranging from RM30 to RM50 is given by the husband to the in-laws. ‘Buru’ symbolizes the liberation of descendants.

Gong

·                   Soludon       (small gong)

·                  Botukul      ( medium-size gong)

·                  Tawak       (large gong)

Mandatory customary offerings for a Kimaragang wedding.

6

Gadur (Copper goblet)

7

Pukotian (Set of copper bowls and clay plates)

8

Pulanot/Selapa (Copper container)

Contains ‘Keinggatan’ (betel leaves) and ‘Kosigupan’ (tobacco cigarettes) for the ‘Mongginggat Om Monigup’ ceremony, where betel leaves are chewed, and tobacco cigarettes are smoked during the wedding.

9

Rice and Buffalo

Food throughout the wedding ceremony

10

Pangadapan om Talaman

Bedroom furnishings, wedding dais, and bridal attire.

11

Sinolung Popogong

Equipment for the Monuntung ceremony (gong beating) during the wedding celebration.

12

Sogit Sompusasawo

A pig is sacrificed to sanctify the marital union.

13

Sogit Kinogumu

Another pig is sacrificed to bring prosperity to the villagers, as it is believed that the mingling of men and women during the wedding creates a “heated” atmosphere.


If the bride’s side requests ‘Tinantangap’, which entails providing one of each required item, the groom’s side must prepare all the wedding offerings in two complete sets. If all requests are agreed upon, the wedding can take place as early as the following day. However, if any request cannot be fulfilled, the wedding may be cancelled unless the ‘Nababo’ practice is applied, where the groom’s side is given a specific period to settle the outstanding offerings.
10. Misasawo (Wedding Ceremony)The groom’s entourage parades to the bride’s house, bringing hunting equipment known as "Tinipu" if the groom is skilled in hunting, to present to the bride’s family. Failure to bring the Tinipu may result in the wedding being postponed or cancelled. After entering the house, the groom proceeds to the wedding dais for the ceremony. On the dais, the groom sits to the bride’s right, facing the guests, while the bride sits cross-legged to his left, facing the wall.
Next, the ‘Mibulugu’ ceremony takes place, during which the groom washes his hands and prepares three small rice balls. He presents these to the bride along with a pinch of Turongou fish as a side dish. The bride accepts the food with her hands and eats it, after which she reciprocates the gesture. The groom then offers the bride a drink of water, which she accepts and returns in kind. Following this, the bride slowly turns to her right to face the audience, and the groom gently lifts her veil.

Photo 1: The Beginning of the ‘Mibulugu’ CeremonySource: Azrul Affandi Sobry, 2018Next, the groom performs the ‘Bingkin Mongolim’ ritual, where he presents a betel nut with betel leaves coated in lime to the bride as a symbol of the marriage's validity. Following this, the couple participates in the ‘Miganti Dotlinumbid Danan’ ceremony, where they exchange rolls of tobacco leaves. Finally, the groom takes a glass of Kinomol (traditional rice wine), sips it, and passes it to the bride, who also drinks from it.
The bridal assistants then place a handkerchief over the heads of both the bride and groom. A Bobolian (shaman) conducts the ‘Mononsob’ ritual, where three burning firewood embers and a container of water are held above the couple's heads. A small amount of water is poured onto the embers while special incantations are recited, asking for protection against misfortunes in the marriage. Following this, the groom performs the ‘Monuntung Dot Botukul’ ritual by striking the Botukul (medium-sized gong) three times, symbolizing a wish for their offspring to be neither deaf nor mute. The highlight of the ceremony is ‘Migol Miandak’, where the couple dances the Pinakang dance, followed by the bridesmaids and the parents of the couple.
The elder close relatives of the newlyweds then demonstrate proper etiquette, ways to show respect and introduce the family names, particularly those of the in-laws. After the ‘Misusur Dot Koworisan’ ceremony concludes, both families dine together, socialize, and celebrate. Typically, another wedding ceremony is held at the groom's family home the following day or a few days later, in an event called ‘Maganda’.

Figures and Achievements

-

Reference Source

Hatnin Duari. (2001). Hukum adat perkahwinan dan perceraian dalam masyarakat Kadazandusun suku Kimaragang Sabah: kajian kes di Kampung Tandek, Kota Marudu Sabah. Tesis Doktor Falsafah.


Jikat @ Binol Darimbang. (2021). Pendekatan Keseimbangan dan Keadilan Dalam Undang-Undang Adat Masyarakat Kimaragang Di Sabah, Malaysia : Balance and Justice Approach in Customary Law of the Kimaragang Community In Sabah, Malaysia. Journal of Borneo Social Transformation Studies, 7(1), 187–210. https://doi.org/10.51200/jobsts.v7i1.3610


Kroeger, P. R. (1996). The morphology of affectedness in Kimaragang Dusun. In Papers in Austronesian Linguistics No. 3. Pacific Linguistics.


Low, K. O., & Pugh-Kitingan, J. (2015). The impact of Christianity on traditional agricultural practices and beliefs among the Kimaragang of Sabah: a preliminary study. Asian Ethnology, 74(2), 401-424.


Pangayan, V. B., Shafii, A. S. H., & Kok On, L. (2017). Meanings, symbols and local wisdom in The Pinakang dance movements, costumes and accessories of the Kimaragang in Sabah. 7th International Conference on Local Knowledge (ICLK 2017), 159-163.


Pugh-Kitingan, J. (2012). Kadazan Dusun. Institut Terjemahan & Buku Malaysia.


Location

Informant/Figure/Editor/Researcher
Get Directions

State JKKN Contact Information

Puan Nurshahrinna Syahrial

Cultural Officer

Jabatan Kebudayaan dan Kesenian Negara, Sabah
Kompleks JKKN Sabah, Jalan Tasik off KM4 Jalan Penampang, 88200 Kota Kinabalu SABAH

088-205070

Back To Top