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ADAT RESAM DAN BUDAYA KAUM KADAZANDUSUN SUKU DUSUN KIMARAGANG: ADAT PERKAHWINAN
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Introduction and history
The Dusun Kimaragang is one of the largest tribes within the Kadazan Dusun community, residing in the northern part of Sabah, Malaysia. This community predominantly lives in the Kota Marudu, Pitas, Beluran, Paitan, and Sandakan. The Dusun Kimaragang are renowned for their strong agrarian culture, particularly in rice cultivation, which forms the foundation of their economic and social life. In addition to their agricultural prowess, their customs and cultural practices are deeply rooted and reflect the philosophy of communal living. One of the cultural traditions they continue to uphold today is the traditional marriage custom, which follows the processes and structures inherited from their ancestors.
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The marriage customs of the Dusun Kimaragang are carried out with well-organized rituals and consist of five stages: Mongumpai (matchmaking), Palabat (proposal inquiry), Mangatod (engagement), Mikonan (presentation of dowry), and Misasawo (wedding ceremony).
6. Mongumpai (matchmaking)
Mongumpai refers to seeking signs of compatibility with a prospective wife. A single, eligible man visits the home of the woman he wishes to marry and spends the night there. Before sleeping, the man performs Momabar (making an intention) to Kinoringan (God), asking for a sign of compatibility with the woman. According to the Kimaragang belief, the man typically receives a dream, either good or bad. If no dream occurs during the Mongumpai session, the man can make his own decision. However, in modern times, the Mongumpai custom is rarely practiced and is left to the individual's discretion.
7. Palabat (proposal inquiry)
After that, the initial stage of marriage begins with the 'Palabat' or the courtship process. This process, also known as 'Lumabat' or 'Sumondot,' involves a representative from the groom’s side—usually a neighbour or close relative—visiting the bride's family to inquire whether their daughter is already engaged or not. During this visit, the representative brings a gift, typically fish, as a gesture of respect. If the daughter is not yet engaged, an agreement will be made to proceed to the next stage, known as ‘Mangatud dot Soputangan,’ which signifies the formal proposal of engagement.
8. Mangatod Dot Soputangan (engagement)
After the Palabat process, the wedding tradition continues with the ‘Mangatud dot Soputangan’ ceremony, which involves the presentation of a handkerchief as a symbol of the groom’s sincerity in proposing. During this process, a small delegation from the groom’s side brings a bundle known as ‘Damakan’, containing betel leaves, areca nut, lime, Sigup (tobacco), and Kirai (tobacco leaves) wrapped in a handkerchief. This handkerchief is then hung on the roof of the bride’s house.
This tradition carries its symbolism: if the handkerchief is not returned within three days, it signifies that the groom’s proposal is not one-sided, and the proposal is considered accepted. Additionally, the groom’s side also prepares other gifts, such as a ring, a set of makeup tools, and a rooster with long tail feathers that touch the ground, known as ‘Rundukan Taboi’. Once the proposal is accepted, an agreement is made to proceed with the next stage of the wedding process.
9. Mikonan (presentation of dowry),
After the proposal process, the wedding tradition proceeds to the most crucial stage, known as Mikonan, also referred to as ‘Tarang Hantaran’. This stage involves determining the dowry or offerings that the groom’s side must prepare as a prerequisite for the marriage. During this discussion, both parties engage in detailed negotiations about the type and amount of dowry requested by the bride’s family. Below is a list of basic offerings that are commonly requested by the bride’s side:
Table 1: Tarang Hantaran (Offerings) of the Dusun
Kimaragang
No. |
Berian (dowry) |
Purpose |
1 |
Wang Berian |
The agreed-upon monetary amount to be given to the
bride's family serves as compensation for the parents' efforts in raising
their daughter. This amount is considered the rightful entitlement of the
parents. |
2 |
Belanja Angus |
The money is allocated for the wedding ceremony. |
3 |
Wang Gantung |
The money or buffalo was mutually agreed upon as a form
of ‘Pagar’ or compensation. Traditionally, this serves as a guarantee
to be paid by the husband if he mistreats his wife or divorces her without
cause. |
4 |
Buru |
Cash ranging from RM30 to RM50 is given by the husband
to the in-laws. ‘Buru’ symbolizes the liberation of descendants. |
5 |
Gong · Soludon (small gong) · Botukul ( medium-size gong) · Tawak (large gong) |
Mandatory customary offerings for a Kimaragang wedding. |
6 |
Gadur (Copper
goblet) |
|
7 |
Pukotian (Set of copper bowls and clay plates) |
|
8 |
Pulanot/Selapa (Copper container) |
Contains ‘Keinggatan’ (betel leaves) and ‘Kosigupan’
(tobacco cigarettes) for the ‘Mongginggat Om Monigup’ ceremony, where
betel leaves are chewed, and tobacco cigarettes are smoked during the
wedding. |
9 |
Rice and Buffalo |
Food throughout the wedding ceremony |
10 |
Pangadapan om Talaman |
Bedroom furnishings, wedding dais, and bridal attire. |
11 |
Sinolung Popogong |
Equipment for the Monuntung ceremony (gong beating)
during the wedding celebration. |
12 |
Sogit Sompusasawo |
A pig is sacrificed to sanctify the marital union. |
13 |
Sogit Kinogumu |
Another pig is sacrificed to bring prosperity to the
villagers, as it is believed that the mingling of men and women during the
wedding creates a “heated” atmosphere. |
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Reference Source
Hatnin Duari. (2001). Hukum adat perkahwinan dan perceraian dalam masyarakat Kadazandusun suku Kimaragang Sabah: kajian kes di Kampung Tandek, Kota Marudu Sabah. Tesis Doktor Falsafah.
Jikat @ Binol Darimbang. (2021). Pendekatan Keseimbangan dan Keadilan Dalam Undang-Undang Adat Masyarakat Kimaragang Di Sabah, Malaysia : Balance and Justice Approach in Customary Law of the Kimaragang Community In Sabah, Malaysia. Journal of Borneo Social Transformation Studies, 7(1), 187–210. https://doi.org/10.51200/jobsts.v7i1.3610
Kroeger, P. R. (1996). The morphology of affectedness in Kimaragang Dusun. In Papers in Austronesian Linguistics No. 3. Pacific Linguistics.
Low, K. O., & Pugh-Kitingan, J. (2015). The impact of Christianity on traditional agricultural practices and beliefs among the Kimaragang of Sabah: a preliminary study. Asian Ethnology, 74(2), 401-424.
Pangayan, V. B., Shafii, A. S. H., & Kok On, L. (2017). Meanings, symbols and local wisdom in The Pinakang dance movements, costumes and accessories of the Kimaragang in Sabah. 7th International Conference on Local Knowledge (ICLK 2017), 159-163.
Pugh-Kitingan, J. (2012). Kadazan Dusun. Institut Terjemahan & Buku Malaysia.
Location
State JKKN Contact Information
Puan Nurshahrinna Syahrial
Cultural Officer
Jabatan Kebudayaan dan Kesenian Negara, Sabah
Kompleks JKKN Sabah,
Jalan Tasik off KM4 Jalan Penampang,
88200 Kota Kinabalu
SABAH
088-205070