ARTS AND CULTURE INFORMATION GATEWAY
Immerse yourself in the colorful world of art and culture! From traditional heritage to contemporary works, discover uniqueness that reflects the nation's identity and identity
ARANG TAWAK
Picture
3
Video
No record
Today's Visitor
4
Number of Visitors
83
Introduction and history
Arang Tawak is a traditional dance of the Lundayeh ethnic community, primarily found in the Sipitang district and the interior region of Long Pasia in Sabah. Recognised as a warrior dance, it embodies the bravery and heroic spirit of Lundayeh men in defending their community or triumphing over enemies during intertribal conflicts.
The performance begins with the resonant sound of gongs reverberating throughout the village, heralding the warriors' return. Women dancers gracefully initiate the dance as a gesture of welcome, followed by the warriors, who join in with dynamic, heroic movements that symbolise victory and courage.
Traditionally, this dance served as a tribute to honour the victorious return of men who had successfully defeated their enemies in intertribal conflicts. However, with the passage of time and the absence of warfare in modern society, the Arang Tawak dance has been elevated to a cultural symbol of the Lundayeh ethnic community. It is now performed to welcome guests and as a significant highlight of traditional festivals and ceremonial celebrations. Additionally, the dance is featured at weddings, further enriching the cultural heritage and artistic beauty of Lundayeh traditions.
The male dancers wear an attire known as Bakad Talun, a loincloth made from the bark of the Timbaran or the wild Tarap tree. The Bakad Talun is often sewn and embellished with traditional designs called Arit. The dancers' arms are adorned with Pakel or Fakel Riman—bracelets crafted from the fibres of a forest plant called Riman Labo. These black fibres are intricately woven into bracelets and wrapped around the knees as leg decorations. The male dancers wear a Sigar Suba for headgear, a headpiece crafted from red fabric and styled to resemble a traditional tengkolok.
Female dancers wear white attire, such as a kebaya blouse adorned with black lace along the neckline and sleeves, known as Bekad Berecu. This blouse is paired with Tekip Siating, a black sarong embellished with beads or lace at the hem and worn at knee length. The Tekip Siating is secured with a Pogot, a silver belt designed with coin-like plates. The dancers wear a yellow headpiece called Alet Birar to complete the ensemble. Around the waist, they adorn a Selapit, a belt crafted from tiny beads. Additional accessories include the Baw Tulang (necklace) and Leku Baw (bracelets), further enhancing the authenticity and elegance of this traditional Lundayeh attire.
This dance accompanies three Tawak-Tawak (gongs) of varying sizes and tonal resonance. In some performances, a musical instrument called the Talab Buluh is played alongside the gongs, adding a distinctive harmonic dimension to the Arang Tawak performance.
The Arang Tawak dance is typically performed in pairs, involving at least two male and two female dancers. Alternatively, it may feature two male dancers accompanied by multiple female dancers. Male dancers carry hand props such as spears or machetes—symbolising shields—while executing movements that depict bravery and strength in a combative style.
Female dancers, meanwhile, perform hand movements in a horizontal line formation behind the male dancers, creating a striking balance between strength and grace. In another arrangement, the dancers form a circle, with the male performers at the centre, showcasing their agility and warrior spirit.
-
Reference Source
Bilcher Bala, Baszley Bee Basrah Bee & Jane Wong Kong Ling. (2012). Lundayeh. Dalam Kntayya Mariappan & Paul Porodong. Siri etnik Sabah ITBM-UMS: Murut & Pelbagai Etnik Kecil Lain di Sabah. Institut Terjemahan Buku Malaysia.
Simeon, J. J. C., Low, K. O., Baxter, I. S., Saudik, M., Ahmad, S., & Chong, L. S. (2017). Traditional Musical Instruments and Dance Music of the Lundayeh of Sabah. Wacana Seni, 16, 103–133. https://doi.org/10.21315/ws2017.16.5
Bala, B., K. L. Wong & Baszley Bee Basrah Bee. (2007). Perubahan Sosiobudaya Masyarakat Lundayeh. Dalam Pluraliti Etnik dan Budaya di Sabah, eds. Saidatul Nornis Mahali, Mohd. Sarim Mustajab & Suraya Sintang, 201–253. Kota Kinabalu: Penerbit UMS.
Location
State JKKN Contact Information
Encik Hassanal Redzuan
Cultural Officer
Jabatan Kebudayaan dan Kesenian Negara, Sabah
Kompleks JKKN Sabah,
Jalan Tasik off KM4 Jalan Penampang,
88200 Kota Kinabalu
SABAH
088-205070
Use the form below to contact the Informant/Figure/Editor/Researcher directly. We will respond to your inquiry as soon as possible!