ARTS AND CULTURE INFORMATION GATEWAY
Immerse yourself in the colorful world of art and culture! From traditional heritage to contemporary works, discover uniqueness that reflects the nation's identity and identity
MUZIK MELAYU ASLI
Picture
1
Video
No record
Today's Visitor
2
Number of Visitors
57
Introduction and history
Introduction and History
Origins and Early Influences
Melayu Asli music has a long history and has evolved alongside Malay culture for centuries. It first emerged as court and folk music, used in official ceremonies, weddings, and community entertainment.
The main influences of this music came from India, the Middle East (Arab and Persian), and Java, due to maritime trade and connections between Malay kingdoms and the outside world. Elements such as the gambus from Arab culture, rebana from India, and violin from Europe enriched the uniqueness of Melayu Asli music.
Malay Sultanate Era (15th - 18th Century)
During the Malacca Sultanate, music flourished as part of court entertainment and Malay cultural arts. Gamelan and nobat were played during official ceremonies, while ghazal music and asli songs were performed to entertain the royal family.
In Johor, Pahang, and Terengganu, Melayu Asli music was influenced by Javanese gamelan and Arabic melodies, creating unique musical styles.
Development During the Colonial Era (19th - Early 20th Century)
During British and Dutch colonial rule, Melayu Asli music underwent changes due to the introduction of Western music styles such as waltz and polka.
Violin and accordion began to be incorporated into traditional music.
Zapin, Joget, and Ghazal rhythms became more popular as folk music.
Melayu Asli music became widely embraced by the general public, no longer limited to the royal courts.
By the 20th century, Melayu Asli music was being recorded and broadcasted on radio and performed on stage, introducing this genre to a wider audience.
1950s - 1970s: The Rise of the Melayu Asli Music Industry
During this period, Melayu Asli music rapidly expanded with the growth of the recording and film industry.
Radio and films in Singapore and Kuala Lumpur popularized Melayu Asli songs.
Singers like P. Ramlee, Saloma, R. Azmi, and Sharifah Aini performed asli songs in films and concerts.
Melayu Asli music became widely accepted as national music and was frequently played at official ceremonies and celebrations.
At this time, Melayu Asli rhythms also started blending with modern music, giving birth to Pop Melayu Asli, which was lighter and more accessible to younger generations.
Modern Era (1980s - Present)
Although modern genres like pop and rock have dominated the music industry, Melayu Asli music continues to be valued as a cultural heritage.
Melayu Asli performances are still featured in official events, weddings, and cultural competitions.
The Malaysian government, through Istana Budaya, ASWARA, and RTM, continues to preserve this music by introducing programs and traditional music competitions.
Melayu Asli music is now fused with contemporary music to attract the interest of younger generations.
Melayu Asli music is a heritage of Malay arts and culture that has developed from the Malay Sultanate era to modern times. It is not just entertainment, but also a symbol of Malay cultural identity and history. With continuous efforts to preserve and promote this music to new generations, Melayu Asli music will remain an important treasure in Malaysia's traditional music landscape.
Music is performed at various events such as weddings, celebrations (e.g., Hari Raya), and cultural festivals to entertain the public and enhance the festive atmosphere.
The attire worn in Melayu Asli music performances is deeply rooted in Malay tradition, showcasing artistic elements, vibrant colors, and rich symbolism.
a) Baju Kurung and Baju Kebaya (Women)
Women performing in Melayu Asli music typically wear Baju Kurung or Baju Kebaya, which are traditional Malay garments.
Characteristics:
Baju Kurung is long and loose-fitting, exuding grace and modesty.
Baju Kebaya features intricate embroidery along its edges, enhancing its elegance and beauty.
Sarung or batik fabric is commonly paired as the bottom attire.
Additional accessories such as selendang (shawl), kerongsang (brooch), and sanggul rambut (hair bun) are used to enhance the overall appearance.
b) Baju Melayu (Men)
Men in Melayu Asli performances often wear Baju Melayu, complete with samping (waist cloth) and tanjak (headgear).
Characteristics:
Baju Melayu has a loose cut, with a round neckline and buttons at the top.
Samping is wrapped around the waist, traditionally made from songket or batik fabric.
Tanjak or destar is worn on the head as a symbol of Malay cultural pride and nobility.
List of Musical Instruments Used in Melayu Asli Music
1. String Instruments
Violin – Plays the main melody in Melayu Asli music, often used in soft and melodious songs.
Gambus – A stringed instrument influenced by Arab music, frequently played in Ghazal and Melayu Asli music.
2. Percussion Instruments
Rebana – A traditional drum that provides the main rhythm in Melayu Asli music.
Gong – Used to signal rhythm changes or the end of a musical piece.
Tambourine (Tamborin) – A supplementary percussion instrument that adds rhythmic accents.
Maracas (Marakas) – Used in some variations of Melayu Asli music to produce additional rhythmic sounds.
3. Modern Instruments Integrated into Melayu Asli Music
Accordion (Akordion) – Commonly used in Joget and Melayu Asli music, providing harmonic accompaniment to the violin.
-
-
Reference Source
i. Bahan Bacaan
Mohd Ghouse Nasuruddin. (2006). Seni Persembahan Melayu: Tradisi dan Transformasi. Universiti Sains Malaysia Press.
Siti Zainon Ismail. (2001). Reka Bentuk Dalam Tradisi Melayu. Dewan Bahasa dan Pustaka.
Mohd Anis Md Nor. (1986). Zapin: Folk Dance of the Malay World. Dewan Bahasa dan Pustaka.
Kartomi, M. J. (1998). Gong-chime Ensembles of the Malay Archipelago: Characteristics and Evolution. University of Chicago Press.
Matlob, H. (2004). Ghazal: Warisan Seni Muzik Melayu. Penerbit Universiti Teknologi Malaysia.
Sheppard, M. (1972). Taman Indera: A Royal Pleasure Ground: Malay Decorative Arts and Pastimes. Oxford University Press.
Location
State JKKN Contact Information
Puan Norlelah Abd Karim
Cultural Officer
Jabatan Kebudayaan dan Kesenian Negara, Pahang
Kompleks JKKN Pahang
Lot 57100, Jalan Teluk Sisek,
25000, Kuantan,
Pahang Darul Makmur
09-517 8466
Use the form below to contact the Informant/Figure/Editor/Researcher directly. We will respond to your inquiry as soon as possible!