ADAT RESAM DAN BUDAYA KAUM TIDUNG – ADAT PASAK INDUNG ATAU NAIK BUAI

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Introduction and history

The Pasak Indung tradition is a unique custom of the Tidung ethnic community in Sabah. This community predominantly resides in the coastal and interior regions of Tawau, Kalabakan, Sebatik, and Lahad Datu. Renowned for their rich cultural heritage, the Tidung people have preserved their traditions, language, arts, and customs across generations. As a community that deeply values family bonds and unity, the Pasak Indung tradition reflects their traditional beliefs and reverence for life, particularly their appreciation of children as a vital part of their social and cultural systems.

Pasak Indung refers to a ceremonial celebration of a child’s birth within the family. This tradition is typically performed when the baby reaches seven days of age, during the mother’s confinement period. The ceremony symbolizes joy and gratitude for the newborn, who is considered a blessing and a bearer of fortune for the family. It also marks the end of the mother’s confinement period. While traditionally observed when the baby is between seven and 27 days old, the practice may, under certain circumstances, be extended until the child is three months old.


Functions and Roles

The Pasak Indung tradition is a ceremonial practice performed to celebrate the birth of a child within the family, akin to the Malay community’s cukur jambul ceremony. However, this tradition holds a deeper significance within the social and cultural framework of the Tidung ethnic community. Primarily, it is believed to bestow blessings upon the newborn and ensure opportunities for a prosperous future, reflecting a worldview that emphasizes the harmonious balance between nature and human life.

Additionally, the Pasak Indung tradition serves to release the mother from postpartum confinement. During this period, the mother is subject to various restrictions, such as refraining from leaving the house or stepping on the ground, which are seen as crucial for safeguarding her health and well-being after childbirth. The ceremony symbolizes the mother’s liberation from these restrictions, marking her reintegration into social life and daily routines.

Moreover, the tradition provides a medium for the baby’s family to fulfil vows made during pregnancy or childbirth, expressing gratitude for the birth of a healthy child. This practice underscores the community’s belief in honouring promises to Allah SWT as a profound expression of thankfulness for the gift of life. In a broader social context, the Pasak Indung tradition announces the arrival of a new family member to relatives and the surrounding community. This act not only strengthens familial bonds but also reinforces social networks within the Tidung community.

In essence, the functions and roles of the Pasak Indung tradition extend beyond celebrating a child’s birth. They embody traditional beliefs, social symbolism, and family values that lie at the heart of Tidung culture. By preserving this practice, the community safeguards its heritage and strengthens its cultural identity.


Traditional Attire/ Accessories

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Equipment/ Ingredients

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Method / Preparation Method / Presentation Method

During the Pasak Indung ceremony, the family prepares a “Penisiri Tidung,” also known as a “Canopy,” as a special place to hang the “Indung” (baby’s cradle). The Penisiri Tidung is adorned with wooden carvings, flowers, and colourful fabric decorations. The baby’s cradle, or Indung, is crafted to resemble a small boat in a rectangular shape suitable for the baby’s size. It is made from Belian wood and decorated with carvings and ornamental ropes.

Typically, the ceremony gathers relatives and friends from various places who come to enliven the event. Families hosting the ceremony often arrange for a spacious area or hall decorated lavishly, resembling a wedding celebration. All preparations are made with grandeur according to the family’s capabilities, reflecting respect and joy for the baby’s birth. The structure of the Pasak Indung ceremony is as follows:

1) The “Release from Confinement” Ceremony

The Pasak Indung tradition begins with the “Release from Confinement” ceremony, which frees the baby’s mother from postpartum restrictions. This ritual is overseen by a village midwife known as the Sandung, who holds a central role as the leader of the custom.

The ceremony commences with the Sandung escorting the mother out of the house. A knife is placed at the mother’s feet, symbolizing protection and strength during her confinement. Following this, the mother steps onto a sharpening stone, called Asahan, representing her readiness to return to her daily routines.

Next, the Sandung offers the mother a cup of plain water to drink, followed by the symbolic act of stepping onto the ground for the first time since giving birth. As part of the ritual, a piece of black cloth is burned in the yard while the Sandung sprinkles yellow rice over the mother’s body. This act signifies the conclusion of the confinement period, symbolizing the mother’s liberation and her readiness to resume normal life outside the home.

Photo 1: Sandung Sprinkling Yellow Rice
Source: Department of National Culture and Arts
2) The "Mengindung" Ceremony
The Mengindung ceremony is the most significant part of the Pasak Indung tradition. It aims to strengthen the baby’s spirit and protect them from harm. The process begins with the Sandung, who prepares seven (7) folded sarongs, referred to as "Gabol Lipot Raja Bersila." The sarongs used differ based on the baby’s gender—pelikat sarongs are used for boys, while batik sarongs are selected for girls. These sarongs are layered as bedding inside the Indung.
Photo 2: Sandung folding the "Gabol Lipot Raja Bersila" fabric
Source: Department of National Culture and Arts
When the Gabol Lipot Raja Bersila is placed inside the Indung, four (4) candles are lit at each corner of the cradle. These candles symbolize "enlightenment of the heart," representing the hope that the child will grow to be intelligent and wise in the future. During the ceremony, the baby is placed into and removed from the Indung seven (7) times along with the layers of the Gabol Lipot Raja Bersila. Simultaneously, a rooster and a hen are circled around the cradle seven (7) times while the baby is inside. The baby can only be removed from the cradle after the chickens have completed their rotations. This process continues until the final sarong layer is removed.
Photo 3: Ritual of circling the rooster and hen
Source: Department of National Culture and Arts
At the end of the ceremony, blood is taken from the rooster’s comb and smeared on the foreheads of both the baby and the mother. This act is believed to protect against "Kepaingan," a traditional Tidung belief that safeguards the baby from curses associated with animals killed by the parents. For instance, if the father had killed a snake during his lifetime, this ceremony ensures that the snake’s death does not affect the baby.
3) The "Gunting Abuk" Ceremony
After the Mengindung ceremony is completed, the event continues with the recitation of Berzanji accompanied by Selawat (blessings) upon the Prophet Muhammad PBUH. During this session, the baby is carried around to the guests, and each guest is given the opportunity to cut a few strands of the baby’s hair. This tradition, known as "Gunting Abuk," symbolizes blessings and prayers from each attendee for the baby’s well-being and prosperity in the future.
Photo 4: The "Gunting Abuk" Ceremony
Source: Department of National Culture and Arts
4) The "Napong Amas" or "Batapong" Ceremony
Following the Gunting Abuk ceremony, the event continues with the ritual known as "Napong Amas" or "Batapong," a symbolic act to fullfill the mother's vow as an expression of gratitude for the birth of a healthy baby. This ritual begins with the process of measuring the mother's height using a special gold chain, with the length of the chain adjusted to match her height.
During the measurement process, the Sandung sprinkles yellow rice around the mother while Selawat (blessings) upon the Prophet Muhammad PBUH is recited. Simultaneously, the mother stands and articulates her vow as a gesture of respect and gratitude. After this, an imam leads a prayer of thanksgiving to seek blessings for the baby and the family.
The measured gold chain is then cut into small pieces sized to fit the mother’s ring finger. These pieces of gold are distributed to the female guests attending the ceremony. This act not only symbolizes gratitude and blessings but also serves as a token of appreciation for the guests’ presence, contributing to the joyous celebration of the event.
5) The Plate Dance Performance
After the distribution of gold chain pieces to the guests, the ceremony continues with the performance of a traditional Tidung dance specifically associated with the Pasak Indung tradition—the Plate Dance performance. In this dance, female dancers use porcelain plates arranged in a rectangular shape. The female dancers step gracefully on the plates while spinning, executing elegant and rhythmic hand movements with fans. Meanwhile, male dancers wave handkerchiefs as part of their dance movements.

Photo 5: Plate Dance Performance
Source: Department of National Culture and Arts
6) The Feast
As the closing event of the ceremony, guests are served a variety of traditional dishes presented on shared trays. This feast not only symbolizes respect for the guests but also embodies the spirit of family and togetherness within the Tidung community, who have collectively celebrated the Pasak Indung tradition. With the conclusion of the feast, the event comes to an end.

Figures and Achievements

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Reference Source

Indriani, I., Anggraini, B., & Halimah, P. (2019). Kajian Biologi Dan Budaya Masyarakat Suku Dayak Dan Tidung Di Daerah Tarakan Dalam Pemanfaatan Buah-Buahan. Borneo Journal of Biology Education (BJBE), 1(2), 99-106.


Mahali, S. N. H. (2019). BAHASA TIDUNG PULAU SEBATIK: SATU TINJAUAN DINI: The Sebatik Island Tidung Language: A Preliminary View. MANU Jurnal Pusat Penataran Ilmu dan Bahasa, 30, 79-102.


Mulyati, M., Arifin, S., & Indrahastuti, T. (2021). Analisis Tuturan Ritual Ngalap Semangat Suku Tidung Di Sebuku Ditinjau Dari Bentuk Mantra. Adjektiva: Educational Languages and Literature Studies, 4(1), 10-14.


Samuri, N. A., & Salleh, N. (2019). Analisis Makna Hidangan Pulut Kuning dalam Adat Bebantang Masyarakat Tidung, Pulau Sebatik, Sabah. Malaysian Journal of Social Sciences and Humanities (MJSSH), 4(7), 96-110.


Sani, M. Y. (2018). Orang tidung di pulau sebatik: identitas etnik, budaya dan kehidupan keagamaan. Al-Qalam, 24(1), 31-40.


Location

Informant/Figure/Editor/Researcher

State JKKN Contact Information

Puan Nurshahrinna Syahrial

Cultural Officer

Jabatan Kebudayaan dan Kesenian Negara, Sabah
Kompleks JKKN Sabah, Jalan Tasik off KM4 Jalan Penampang, 88200 Kota Kinabalu SABAH

088-205070

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