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Introduction and history

Mek Mulung is a traditional theatrical art form renowned in the state of Kedah and its surrounding regions. It is a performance art that combines elements of drama, music, and dance, typically performed during celebratory events such as weddings and festivals. Mek Mulung not only serves as entertainment but also as a medium to convey folk tales, history, and cultural values deeply rooted in Malay society.


The history of Mek Mulung dates back centuries, strongly influenced by traditional theater from Thailand, particularly from the Patani region. Mek Mulung is believed to have originated in the border areas of Malaysia and Thailand, where it was derived from a performance form known as mak mulung in Thai. Over time, it developed in Kedah, carrying significant Siamese cultural influences. Mek Mulung is often performed by a group of male and female actors accompanied by gamelan music and other traditional instruments.


Originally, Mek Mulung was part of religious rituals, but over time it became integrated into local cultural traditions. The stories performed in Mek Mulung are based on epics and folk myths that often contain moral and educational messages. In Kedah, Mek Mulung began to flourish actively in the 19th century, with many cultural figures reviving this art form after it nearly faded away. However, the advent of modern technology and competition from contemporary entertainment caused its popularity to decline in the mid-20th century.


Mek Mulung is one of Malaysia's notable traditional theatrical forms alongside Bangsawan, Jikey, Hamdolok, Menora, and Wayang Kulit. It is a comprehensive blend of artistic elements, including acting, dancing, singing, and music.


Mek Mulung consists of two aspects: performance and ritual. From a performance perspective, it serves as entertainment. From a ritual perspective, Mek Mulung has a deeper purpose, involving paying homage to ancestral spirits believed to protect against evil forces.


According to the History Studies International Journal of History (2018), Mek Mulung is defined as a traditional theater form encompassing dialogue, narrative, acting, dance, singing, and instrumental music.


Mek Mulung began spreading in areas such as Paya Kulubi and later Perik. However, it initially failed to gain popularity in Perik and was subsequently brought to Wang Tepus, where it garnered significant local attention, becoming a yearly traditional performance. Some sources also trace its origin to Legor, Siam, introduced to Kedah during the Kedah-Siam conflicts. However, its roots are widely acknowledged to stem from Kampung Perit, later spreading to Mukim Kurung Itam, Kuala Nerang, and villages such as Kampung Belukar Mulung, Kampung Paya Keladi, and eventually Kampung Wang Tepus, Jitra, Kedah.


Functions and Roles

Mek Mulung plays various roles in society, particularly in Kedah, as an important traditional theatrical art form. As a form of entertainment, Mek Mulung unites the community, frequently performed during events like weddings, festivals, and feasts. It serves as a medium for bringing people together, fostering social bonds, and providing a shared cultural experience through its music, dance, and dialogue.


Beyond entertainment, Mek Mulung conveys moral lessons and life teachings. The stories performed often revolve around epics or folk myths with themes of bravery, honesty, love, and virtue. Hence, Mek Mulung is not merely entertainment but also an educational tool for imparting moral values. Each performance portrays characters with positive and negative traits, serving as examples for the audience to emulate or avoid.


Additionally, Mek Mulung plays a critical role in preserving and sustaining Malay cultural heritage, particularly in Kedah. It bridges the old and new generations by conveying traditional stories and customs passed down over time. Despite the challenges posed by modern advancements and technological developments, Mek Mulung continues to be preserved as a cultural identity symbol in Kedah. Efforts to teach and maintain this traditional art ensure its role in safeguarding cultural heritage for future generations.


Traditional Attire/ Accessories

According to Siri Mengenal Budaya 1/2003, the costumes worn by actors and dancers in Mek Mulung align with their respective roles during the performance. The King and Pak Mulung characters wear traditional baju Melayu outfits paired with songket waistcloths, tengkolok (traditional Malay headdresses), shoulder sashes (sibai), waist sashes, and carry keris (daggers) tucked into their waists. The Tok Wak character typically wears plain cloth and a black mask. Meanwhile, Inang characters wear sarongs and head coverings.


Dancers wear long kebaya outfits resembling traditional women’s attire. Masks are also used in Mek Mulung performances, especially for the comedic Peran characters. Masks are essential for differentiating between the various Peran roles. Sometimes, masks are worn upside-down, symbolizing a unique identity for each Peran.


Equipment/ Ingredients

The Mek Mulung orchestra typically includes two large frame drums (rebana ibu), one smaller drum (rebana penganak), a supporting drum (rebana penigkah), a gong, a mong, three to five kerecek (cymbals), and a serunai (reed wind instrument).

Method / Preparation Method / Presentation Method


Figures and Achievements


Reference Source

i. Bahan Bacaan

Norzizi Zulkifli (2015). Revitalising Traditional Theatre: The Mek Mulung and Its Significance in Contemporary Malaysia. Journal of Southeast Asian Arts.


Mohd Anis Md Nor (2002). Seni Persembahan Tradisional Malaysia: Mek Mulung dan Wayang Kulit. Dewan Bahasa dan Pustaka.


Osman, M. T. (1974). Mak Mulung and the Evolution of Theatre in Kedah. Malaysian Theatre Journal.


Kadir, Z. A. (2014). Mek Mulung: Kesenian Perantaraan manusia dan kuasa ghaib warisan Kedah tua. Kuala Lumpur: Institut Terjemahan & Buku Malaysia.


Siri mengenal budaya 1/2003. (2003). Kuala Lumpur: Kementerian Kebudayaan, Kesenian dan Pelancongan Malaysia.


Abdullah, M. G. (1995). Teater Tradisional Melayu: Buku Satu. Kuala Lumpur: Kementerian Kebudayaan Ksenian dan Pelancongan Malaysia.


Nasuruddin, M. G. (2009). Traditional Malay Theatre. Kuala Lumpur: Dewan Bahasa dan Pustaka.


History Studies International Journal of History, 10(7), 241-264. doi:10.9737/hist.2018.658


Zulkifli, N. (2015). Revitalising Traditional Theatre: The Mek Mulung and Its Significance in Contemporary Malaysia. Journal of Southeast Asian Arts.


Location

Informant/Figure/Editor/Researcher
  • Persatuan Penggerak Seni Warisan Budaya (AKRAB Kedah)
  • B-84, Taman Wira Mergong, Lebuh Raya Sultanah Bahiyah, 05350 Alor Setar, Kedah Darul Aman
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Get Directions

State JKKN Contact Information

Encik Mohammad Salleh bin Mahmud

Cultural Officer

Jabatan Kebudayaan dan Kesenian Negara, Kedah
Kompleks JKKN Kedah Lot PTD 400, Pumpong 05250 Alor Setar KEDAH DARUL AMAN

011-10899646

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