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TARIAN HADRAH
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Introduction and history
The Hadrah dance is one of the traditional performing arts originating from Kedah, reflecting the rich fusion of Malay-Islamic culture. Rooted in the traditions of zikir (remembrance of Allah) and qasidah (Islamic poetry), which were brought to the region by Arab and Indian traders in the 14th century, Hadrah evolved into a form of entertainment and worship within the Malay community. More than just a dance, Hadrah is accompanied by music and poetry praising Allah and Prophet Muhammad (PBUH). The harmonious movements of the dance, synchronized with rhythms produced by instruments such as gendang (drums), rebana (frame drums), and tambourines, symbolize community unity and collective spirit.
The Hadrah dance is believed to have originated from Persia. According to legend, the dance tells the story of woodcutters who got lost in the forest. While searching for a way out, they sang, prayed, and played musical instruments such as the kompang. This dance is particularly popular in northern Peninsular Malaysia, especially in the districts of Kedah and Perlis.
The history of Hadrah in Kedah reflects the strong Islamic influence on local culture. Initially performed at religious events such as Maulidur Rasul (the celebration of the Prophet's birth), it is now also showcased during cultural events like weddings and community celebrations.
The Hadrah dance in Kedah plays a vital role as a cultural medium reflecting the Malay-Islamic identity of the state. As a form of traditional entertainment, Hadrah is often performed at various events, including weddings, khatam al-Quran ceremonies, and religious celebrations. The dance incorporates elements of music, such as gendang, rebana, and zikir, making it a means to strengthen social bonds and nurture spiritual values in the community. The movements in Hadrah are simple yet symbolic, representing the simplicity and harmony that underpin Kedah's cultural values.
In addition, Hadrah serves as an informal educational tool, especially in conveying moral messages and Islamic teachings.
The dancers of Hadrah typically wear traditional attire such as baju Melayu for men and baju kurung for women. Men’s attire is complete with a samping (traditional sarong) and sometimes a tanjak (traditional Malay headgear) or songkok. Women, on the other hand, may wear a selendang (shawl) to enhance their appearance.
Bright colors such as red, yellow, and green are commonly used to reflect the energy and joy synonymous with Hadrah performances. The simplicity of the costume’s underscores modesty and decorum, aligning with Hadrah's roots in Islamic tradition.
For the musicians, the rebana drums are often decorated with traditional carvings or vibrant fabrics, adding aesthetic value to the art form.
In Hadrah performances, the instruments and materials used are crucial in delivering the unique appeal of this traditional art form. The primary instruments are the gendang (drums) and rebana, which serve as the heartbeat of Hadrah’s rhythm. The gendang, typically made from wood and animal skin, produces a robust sound to accompany the dance and songs. The rebana adds a lighter, resonant tone to complete the melody.
Tambourines are often included to enrich the soundscape with layered rhythms. Each instrument requires careful maintenance, such as drying the drum skins to ensure high-quality sound.
A Hadrah performance combines elements of music, movement, and singing that reflect the cultural and religious values of the Malay community. In traditional performances, a group of Hadrah players includes musicians who play instruments such as the rebana, tambourine, and kompang in rhythmic harmony, accompanied by zikir or religious poetry.
The dancers perform repetitive movements that are gentle yet energetic, illustrating the harmony between physical and spiritual elements. Hadrah is usually performed in group formations, with synchronized and orderly movements symbolizing unity and collective spirit.
The rhythm and tempo of the performance typically start slowly, with gentle movements and music, gradually building to a spirited climax. This progression creates a captivating experience that resonates with both performers and audiences.
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Reference Source
Bahan Bacaan
Rahim, M. N., Salleh, F., & Hassan, Z. (2017). Tradisi Hadrah di Malaysia: Busana dan Estetika dalam Konteks Budaya Melayu. Jurnal Warisan Budaya, 12(1), 45-58
Ibrahim, R. (2016). Tradisi Muzik dan Tarian Melayu: Hadrah di Kedah. Journal of Malay Performing Arts, 5(1), 22-35.
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State JKKN Contact Information
Cultural Officer