BANGSI DAN NINENG

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Introduction and history

Bangsi music is a form of musical performance typically played by traditional communities during leisure time, particularly when resting after work. This music is also often played for family entertainment while relaxing together in the living room. In other instances, Bangsi music is played during special ceremonies, such as for healing purposes and at feasts or communal gatherings.


The music begins after the community leader or Gawai chief performs the opening ceremony by completing the patik nabur or sadih sanggar and sadih ancak rituals, which involve seeking blessings from spiritual entities. This ceremony accompanies the recitation of chants and mantras to request fortune and, simultaneously, to ward off misfortune and seek protection from the spiritual entity known as Kamang Triyu, ensuring they are safeguarded from evil spirits.


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Equipment/ Ingredients

The main Bangsi musical instrument resembles a flute but is made from rice stalks. Meanwhile, Nineng music is not widely used in rituals or special ceremonies; it is instead more commonly associated with entertainment activities.


Nineng is actually a stringed musical instrument made from betong bamboo. It is circular in shape, measuring approximately 42 centimeters in length and with a circumference of 28 millimeters. Holes are drilled at each end of the bamboo, and a taut string is attached to produce sound when struck in a certain rhythm.

Both of these instruments served as individual entertainment mediums for the Bidayuh ethnic group in the past, as there were no sophisticated or varied entertainment media like today. In times of limited resources, the Bidayuh community often filled their leisure time by creatively crafting entertainment instruments. In other words, the Bidayuh people were able to create fascinating musical instruments through their ingenuity and knowledge of observing the sounds of nature and their daily life patterns.

Today, the use of these two musical instruments is no longer widespread or popular. Observations show that only a small number of Bidayuh community members in the villages are still involved in the making and playing of these instruments.

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Reference Source

i. Bahan Bacaan

https://jurcon.ums.edu.my/ojums/index.php/ejk/article/view/2516

https://www.scribd.com/document/353864737/Sejarah-Asal-Usul-Bidayuh


Location

Informant/Figure/Editor/Researcher

State JKKN Contact Information

Encik Boniface Anak Babai

Cultural Officer

Jabatan Kebudayaan dan Kesenian Negara, Sarawak
Tingkat 5 Bangunan Sultan Iskandar, Jalan Simpang Tiga, 93000, Kuching, SARAWAK

019-2399682/082-422006

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