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PUISI REJANG
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Introduction and history
The Rejang Poetry of Melaka refers to a traditional poetic style that evolved within the Baba Nyonya or Peranakan community in Melaka, Malaysia. This form of poetry is an integral part of oral traditions used during celebrations, weddings, and ceremonial events within the Peranakan community, blending cultural influences from Chinese and Malay heritage. Rejang Poetry holds high aesthetic value and is often utilized to express emotions, folk tales, or serve as a medium for communication in daily life.
Origin and History of Rejang Poetry in Melaka
Rejang Poetry in Melaka emerged as a result of the fusion between Chinese, Malay, and Indian cultures, leading to the development of Peranakan or Baba Nyonya culture. The Baba Nyonya community in Melaka is known for its traditions that emphasize rituals, art, and a language that combines elements of both cultures. Within this context, Rejang Poetry was frequently used in cultural celebrations such as weddings and religious ceremonies to convey respect, prayers, emotions, and aspirations.
This poetry style evolved in the form of syair or pantun, used by the Peranakan community to reflect their lives, including in ceremonial rituals, wedding festivities, family gatherings, or to express emotions and relationships within their society.
Roles of Rejang Poetry in Melaka
Rejang Poetry serves various aspects of social life within the Peranakan community, including:
Expression of Emotions:
It is used to express feelings of love, loss, hope, or joy in the lives of the Baba Nyonya community.
Ceremonial and Religious Functions:
During weddings or celebratory feasts, Rejang Poetry is recited or sung to bless happiness and well-being, as well as to honor ancestors and spirits.
Moral Teachings and Lessons:
Many Rejang poems contain moral advice or life teachings passed orally from one generation to the next.
Folklore and Historical Narratives:
The poetry is also used to share folk stories, myths, and histories of the Peranakan community's origins or significant life events.
The attire associated with Rejang Poetry in Melaka reflects the traditional clothing worn by the Baba Nyonya or Peranakan community during ceremonies or events that involve this poetic tradition. The clothing embodies strong Chinese and Malay influences, showcasing the cultural heritage of the Peranakan community while serving as both traditional attire and a symbol of social status and artistic beauty.
Characteristics of Rejang Poetry Attire
The clothing worn during Rejang Poetry performances or ceremonial events often features the following elements:
1. Kebaya:
For Peranakan women, the kebaya is the primary attire worn at official or ceremonial events involving Rejang Poetry.
The Peranakan kebaya is a fitted garment, often made of satin, silk, or woven fabrics decorated with intricate floral embroidery or patterns.
It is typically paired with batik sarongs or wraps and accessorized with brooches made of metal or precious stones.
2. Cheongsam:
In the Baba Nyonya tradition, women may also wear the cheongsam, a traditional Chinese dress, complemented by silver or gold jewelry.
The cheongsam features a tight and long fit, adorned with unique fastenings at the neck and shoulders.
3. Baju Kurung (for Men):
Men often wear baju kurung paired with a samping during traditional ceremonies. This attire symbolizes honor and elegance in both Malay and Baba Nyonya cultures.
4. Accessories:
Accessories play an essential role in Rejang Poetry attire. Women often adorn themselves with brooches, necklaces, rings, and bracelets made of gold or silver.
Men may wear headgear, such as a cap or tengkolok, in certain ceremonial events.
5. Baju Melayu:
Men wear Baju Melayu with a songkok during celebrations or wedding ceremonies. These garments are made from satin or woven fabrics and are completed with a samping.
The equipment and materials used in Rejang Poetry in Melaka refer to various tools and items involved in the performance of this poetry within the Baba Nyonya community. As part of a rich cultural tradition, Rejang Poetry performances are often accompanied by traditional musical instruments, ornaments, and accessories that enhance the beauty of the performance and enliven the ceremony's atmosphere.
1. Traditional Musical Instruments
Rejang Poetry is often performed with musical accompaniment to add rhythm and beauty to the recitation. Instruments commonly used in ceremonies or rituals include:
Drum:
Traditional drums are often used to set the rhythm and tempo of the poetry performance. They play a vital role in creating a ceremonial atmosphere and facilitating the smooth delivery of the poem’s rhythm.
Gong:
Large gongs, played with wooden mallets, produce deep and resonant sounds. Gongs are often used to emphasize or conclude specific sections of the poem or ceremony.
Serunai:
This traditional wind instrument is used in some ceremonies to provide harmonious melodies and create a deeper emotional effect during the performance.
Traditional Piano or String Instruments:
Occasionally, more delicate instruments such as traditional pianos or string instruments are used to complement the ambiance and add soft musical layers while the poem is recited or sung.
2. Performance Materials
Several items or accessories are used to enhance the performance and add meaning to the poetry being presented:
Poetry Scrolls or Books:
In some cases, scrolls or books containing the text of Rejang Poetry are carried by the performers. This helps ensure the smooth flow of the performance, especially for longer poems.
Flowers:
Fresh flowers, such as jasmine or roses, are often used in ceremonies or celebrations as symbols of respect and beauty. These flowers may be displayed around the performance area or carried by participants as a sign of blessing.
Jewelry:
Accessories such as brooches, necklaces, bracelets, and rings are used to add aesthetic value and signify the social status of the Baba Nyonya community.
Traditional Attire:
As previously mentioned, traditional clothing worn by the performers and audience is a crucial element that contributes to the formal and meaningful atmosphere of the Rejang Poetry ceremonies.
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Reference Source
Bahan Bacaan
Tan, H. L. (2011). Cultural Traditions of the Baba Nyonya in Melaka: A Study of Puisi Rejang. Journal of Southeast Asian Arts, 3(1), 35-50.
Lim, T. H. (2003). Melaka: A Cultural Heritage of the Baba Nyonya. Melaka: Melaka Heritage Publications.
Location
State JKKN Contact Information
Nur Al-Farani binti Rosli
Cultural Officer
Jabatan Kebudayaan dan Kesenian Negara, Melaka
Kompleks JKKN Melaka
Hang Tuah Jaya, Lebuh Ayer Keroh,
75450 MELAKA
06 - 763 6308
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